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George Stubbs, Painter
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
Turner, the Fighting Temeraire
The Temeraire, a 98-gun ship of the line, had fought gallantly beside Nelson's Victory at the Battle of Trafalgar in 1805. After Trafalgar there were no more major naval battles - the Napoleonic wars ended in 1815 - and like many other warships, the Temeraire was relegated to harbour duties. By 1838, 40 years old, she was decaying; she was stripped of reusable materials and sold for the value of her timbers to a Rotherhithe ship-breaker. J. M. W. Turner's 'The Fighting Temeraire, tugged to her last berth to be broken up, 1838', one of the best-loved pictures in the National Gallery, depicts the passing of the Temeraire to her doom. From her inglorious final journey - a huge but powerless vessel without masts, rigging, sails or flags, towed by two steam tugs - Turner made a magnificent and deeply symbolic painting.
The British School
The National Gallery's collection of British paintings is small, but contains some of the most famous and best-loved paintings in the country. This readable catalogue includes the results of fresh examination of each work by the Gallery's Conservation and Scientific Departments.
Paul Mellon's Legacy
Paul Mellon (1907--1999) was an unparalleled collector of British art. His collection, now at Yale in the museum and study center he founded to house it, rivals those in Britain’s national museums and is unquestionably the most comprehensive representation of British art held outside of the United Kingdom. This book and the exhibition that it accompanies celebrate the centenary of his birth. Five introductory essays examine Mellon’s extraordinary collecting activity, as well as his role in creating both the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art in London as gifts to his alma mater (Yale 1929). A lavishly illustrated catalogue section showcases 148 of the most exquisite and important paintings, watercolors, drawings, prints, sculpture, rare books, and manuscript material in the Yale Center’s collection, including major works by Thomas Gainsborough, Joshua Reynolds, George Stubbs, John Constable, and J. M. W. Turner.
Lord Charlemont and His Circle
The essays in this book derive largely from a symposium held to celebrate the bicentenary of the death of James Caulfeild, 1st Earl of Charlemont (1728-1799), politician, traveller, connoisseur and patron of the arts. -- Publisher description.
The Anatomy of the Horse
This masterpiece of animal anatomy contains 36 plates that reproduce Stubbs' etchings. Based on the artist's own dissections and outline views, the illustrations feature extensive explanatory text. Full reproduction of 1766 edition.
Modern and Contemporary Yorkshire Poetry
Delving into the landscapes and politics of twentieth- and twenty-first-century South, East, and West Yorkshire, Modern and Contemporary Yorkshire Poetry: Cultural Identities, Political Crises theorises Yorkshire as a distinct region of poetry in its own right. In outlining the commonalities and parameters of this branch of poetry, Modern and Contemporary Yorkshire Poetry engages the work with a selection of poets writing in and about the region since 1945, including Philip Larkin, Ted Hughes, Simon Armitage, Helen Mort, Zaffar Kunial, Kate Fox, and Vicky Foster. Charting the developments in Yorkshire poetry, this book explores several key contexts – including deindustrialisation, the Miners’ Strikes, and Brexit – in detail, evidencing the impacts of these sociopolitical events on the poetry of a region. Modern and Contemporary Yorkshire Poetry investigates 75 years of poetry to ask the question: what is Yorkshire poetry? In other words, what is it that connects poems by these writers, whilst setting them apart from poetry of other UK regions?
The Revisions of Englishness
Diverse and often competing notions of "Englishness" have been critiqued by a variety of writers and critics who have become concerned about received visions of "Englishness" in the post-war period. An exciting and provocative collection of essays which registers the changes to Englishness since the 1950s, this book explores how Englishness has been revised for a variety of aesthetic and political purposes and makes a ground-breaking contribution to the contemporary debates in literary and cultural studies.
The Expert versus the Object
The authenticity of visual art has always commanded the attention of experts, dealers, collectors, and the art-minded public. Is it "real" or "original" is a way of asking what am I buying? What do I own? What am I looking at? And today more sophisticated questions are being asked: How is authenticity determined and what weight does this determination have in court? This book of essays proposes to answer those questions. Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. A connoisseur is an expert who evaluates the "rightness" of a work based on much careful scrutiny of many works by an art...
