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This work is for comparative linguists and Celticists who are keen to study Breton but may be too daunted to undertake such a venture by the wide variety of orthographical conventions which exist within the language. It discusses points of orthographical contention so that their correlation to the spoken varieties of Breton can be judged by the reader.
The traditional Western view of writing, from Aristotle down to the present day, has treated the written word as a visual substitute for the spoken word. The eminent Swiss linguist Ferdinand de Saussure (1857-1913) was the first to provide this traditional assumption with a reasoned basis by incorporating it into a more general theory of signs. In the wake of Saussure's work, modern linguistics has ignored or marginalized writing in favour of the study of speech. In all literate societies, however, speech in turn is interpreted by reference to the culturally dominant writing system. This puts in place a system of educational values which ensures that the more literate members of society main...
Annotation "The handbook provides an overview of the current status of this research. In its first volume, the handbook begins by presenting the historical background of the theories in which the conceptions are rooted and then goes on to deal with the individual ele."
x, 324p (Vandenhoeck & Ruprecht 1994)
Portrait of Linguists is the standard biographical work in the history and theory of linguistics and a resource for all scholars of 18th, 19th and early 20th-century Western linguistics. Edited by Thomas A. Sebeok, this text contains articles by eminent scholars in English, French and German. Ninety-one biographies are featured, including Wilhelm von Humboldt, Jacob Grimm, Franz Bopp, Sir William Jones and Max Muller. They constitute a mass of information on the leading figures in linguistics, and include bibliographical information in addition to revealing the authors' thoughts on the various schools of linguistics. Arranged chronologically by subjects' year of birth, this two-volume work is also indexed at the end of volume 2 and is a valuable storehouse of information on the seminal figures in the mainstream of Western linguistics.
"This volume of the "Arthurian Characters and Themes" series is the only one dealing with theme, rather than character. Essays include both newly commissioned and reprinted articles that explore a variety of issues regarding the Arthurian search for the Holy Grail. Topics include analysis of the Grail as vessel, Perceval's sister in the Grail quest, the symbolism of the Grail in Wolfram, chivalric nationalism, and investigations of the use of the Grail in poetry and literature by authors such as Tennyson, T.S. Eliot, and Walker Percy"--Barnes & Noble.
From the papers presented at the 26th LSRL, this volume offers a selection of a contributions on phonological issues and on syntax. Most of the grammatical phenomena discussed are treated within the frameworks of the Minimalist Program, Distributed Morphology, or Optimality Theory. It was apparent from the diversity of the papers delivered, that these approaches are exposing novel phenomena, which enrich and widen our knowledge and understanding of language. The analyses undertaken in these articles range over a variety of (dialects of) Romance languages.
In the historical development of many languages of the IE phylum the loss of inflectional morphology led to the development of a configurational syntax, where syntactic position marked syntactic role. The first of these configurations was the adposition (preposition or postposition), which developed out of the uninflected particle/preverbs in the older forms of IE, by forming fixed phrases with nominal elements, a pattern later followed in the development of a configurational NP (article + nominal) and VP (auxiliary + verbal). The authors follow this evolution through almost four thousand years of documentation in all twelve language families of the Indo-European phylum, noting the resemblan...
This wide-ranging book contains twelve chapters by scholars who explore aspects of the fascinating field of Celtic mythology – from myth and the medieval to comparative mythology, and the new cosmological approach. Examples of the innovative research represented here lead the reader into an exploration of the possible use of hallucinogenic mushrooms in Celtic Ireland, to mental mapping in the interpretation of the Irish legend Táin Bó Cuailgne, and to the integration of established perspectives with broader findings now emerging at the Indo-European level and its potential to open up the whole field of mythology in a new way.
This work is a broad-ranging exploration of two comic erotic and well-nigh feminist novels written by Raymond Queneau, On est toujours trop bon avec les femmes (1947) and Journal intime (1950). Both are set in Ireland, were initially published by Éditions du Scorpion under the pseudonym Sally Mara, and then later published together by Gallimard as Les Œuvres completes de Sally Mara (1962). The book examines Queneau’s life when he wrote these texts, the pervasive Joycean influences, his surreal version of the 1916 Dublin Uprising versus the real event, his remarkably accurate Dublin city and his use of the Irish language. The seven core chapters are explorations of prominent aspects of these works, and most involve the solution of puzzles by means of investigations of contexts, contemporary events, and a wide variety of sources. In conclusion, the book makes a convincing case for the literary and entertainment value of Les Œuvres completes de Sally Mara as a long-planned and subtly integrated work.