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Redefining the Modern
Redefining the Modern spans nearly a century and a half in a series of essays that capture the crucial shifts and transformations marking the change from the Victorian to the Modern period. At the center of the collection is the understanding that literature responds to, as well as initiates, social, intellectual, and sometimes political change. It also recognizes that historical categories, like genres, need to be realigned. The diverse material ranges from Jane Austen's laughter to female detectives and black fiction. It coheres, however, through its focus on the interaction of language and society and the way language and culture maintain a persistent and dynamic exchange. Rather than deny links between one period and another, this collection argues for continuity and development, emphasizing revision and renewal rather than rejection and refusal. No longer do critics accept fierce divides or unbridgeable paths between the work of the Victorians and moderns. Recent approaches to the period, reflecting gender, cultural studies, and new historicism, provide fresh means of assessment. Central to this reconception is the recognition that if the Victorians invented us, we, in turn, h
Gothic Manners and the Classic English Novel
What is it that relates Austen and Trollope, Bronte and Dickens to Eliot, James, Hardy and Ford? How do novels like Pride and Prejudice and Barchester Towers and novels like Wuthering Heights and Great Expectations become part of Middlemarch, The Portrait of a Lady, Jude the Obscure and Parade's End? For Joseph Wiesenfarth, the relationships and connections are bound up in what he calls Gothic Manners. His argument is that the salient elements of two genres, that of the novel of manners and that of the new Gothic novel, come together and form a synthesis which accounts, in good part, for the greatness of classical English fiction.
Ford Madox Ford and the Regiment of Women
Engaging and energetic, this biography of Ford Madox Ford presents the modernist writer in a previously unexplored way. Other biographies have approached Ford as an author; indeed, his memoirs give almost no indication that the women in his life were of any importance or, in fact, that they ever existed. Literary scholar Joseph Wiesenfarth revises this approach by tracing Ford's relationships with four women central to his life. Wiesenfarth shows how these four women--Violet Hunt, Jean Rhys, Stella Bowen, and Janice Biala--established themselves as artists in their own right and depicted Ford in their works as more than the "proper man" he thought himself to be. For the women, he was both a lover and a leaver, a collaborator and a companion. With an eye to original paintings and manuscripts, Wiesenfarth examines the artistic and romantic interplay among these writers, painters, and lovers. This book features a beautifully illustrated color and black-and-white gallery of Bowen and Biala paintings.
History and Representation in Ford Madox Ford’s Writings
History and Representation in Ford Madox Ford’s Writings explores the idea of history across various genres: fiction, autobiography, books about places and cultures, criticism, and poetry. ‘I wanted the Novelist in fact to appear in his really proud position as historian of his own time’, wrote Ford. The twenty leading specialists assembled for this volume consider his writing about twentieth-century events, especially the First World War; and also his representations of the past, particularly in his fine trilogy about Henry VIII and Katharine Howard, The Fifth Queen. Ford’s provocative dealings with the relationship between fiction and history is shown to anticipate postmodern thinking about historiography and narrative. The collection includes essays by two acclaimed novelists, Nicholas Delbanco and Alan Judd, assessing Ford’s grasp of literary history, and his place in it.
Parade's End Volume II
No more Hope, no more Glory, no more parades for you and me any more. 'Nor for the country . . . Nor for the world, I dare say . . .', says Christopher Tietjens to a war-damaged fellow officer, under fire on the Western Front.No More Parades continuesParade's End from Tietjens' return to the Front in 1917. Ford's searing account of the war is unforgettable: supplies are inadequate, orders confused; men die among the 'endless muddles; endless follies'. Death replaces love; Tietjens' betrayal by his wife Sylvia mirrors the violence and dishonour of the war. No More Parades includes: the first reliable text, based on the hand-corrected typescript and first editions; a major critical introduction by Joseph Wiesenfarth, Professor Emeritus of English at the University of Wisconsin-Madison and author of Ford Madox Ford and the Regiment of Women; an account of the novel's composition and reception; annotations and a glossary explaining historical references, military terms, literary and topical allusions; a full textual apparatus including transcriptions of significant deletions and revisions; a bibliography of further reading.
Truth and Vision in Katherine Anne Porter's Fiction
My stories are fragments of a larger plan, Katherine Anne Porter once wrote. And on another occasion she praised a critic who perceived that all her work, from the very beginning, was part of an "unbroken progression, all related." In Truth and Vision in Katherine Anne Porter's Fiction, Darlene Unrue examines the encompassing themes that underlie Porter's shorter fiction and that combined to create the haunting events of her complex metaphorical novel, Ship of Fools. Porter believed that men and women are compelled toward discovering the truth about their existence, but that the nature of our world makes those truths difficult to discern. In her writing, Unrue finds, Porter explored not only...
Jane Austen's Art of Memory
Offers a radical new thesis about Jane Austen's construction of her art and recreates substantial area of her mental and imaginative life.
Ford Madox Ford and the City
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. The book series, International Ford Madox Ford Studies, has been founded to reflect the recent resurgence of interest in Ford’s life and work. Each volume will normally be based upon a particular theme or issue. Each will relate aspects of Ford’s work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’; and Samuel Hynes has called ‘t...
REAL Volume 9 (1993)
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The Edwardian Ford Madox Ford
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’, Samuel Hynes has called ‘the greatest war novel ever written by an Englishma...
