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Victorian Songhunters
Victorian Songhunters is a pioneering history of the rediscovery of vernacular song—street songs that have entered oral tradition and have been passed from generation to generation—in England during the late Georgian and Victorian eras. In the nineteenth century there were four main types of vernacular song: ballads, folk lyrics, occupational songs, and national songs. The discovery, collecting, editing, and publishing of all four varieties are examined in the book, and over seventy-five selected examples are given for illustrative purposes. Key concepts, such as traditional balladry, broadside balladry, folksong, and national song, are analyzed, as well as the complicated relationship b...
The Antiquary
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Notes and Queries
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Blanks, Print, Space, and Void in English Renaissance Literature
Blanks, Print, Space, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jona...
The Broadside Ballad in Early Modern England
A comprehensive presentation and examination of a popular seventeenth-century genre: the English broadside ballad In its seventeenth-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive—individual elements migrated freely from one broadside to another—some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to creat...
Milton and Maternal Mortality
All too often, childbirth in early modern England was associated with fear, suffering and death, and this melancholy preoccupation weighed heavily on the seventeenth-century mind. This landmark study examines John Milton's life and work, uncovering evidence of the poet's engagement with maternal mortality and the dilemmas it presented. Drawing on both literary scholarship and historical research, Louis Schwartz provides important readings of Milton's poetry, including Paradise Lost, as well as a wide-ranging survey of the medical practices and religious beliefs that surrounded the perils of childbirth. The reader is granted a richer understanding of how seventeenth-century society struggled to come to terms with its fears, and how one of its most important poets gave voice to that struggle.
“The” Athenaeum
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