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Three a Light
Describes key components and processes required for optimizing product quality and yield per light in growing cannabis indoors
Concert Lighting
Concert Lighting: Tools, Techniques, Art, and Business Fourth Edition provides readers with an updated look at how to succeed in the complex world of concert lighting design and technology. The authors have reorganized the book into three comprehensive and thoroughly revised sections, covering history, equipment and technology, and design, and containing new information on LED technology, pixel mapping, projection options, media servers, automated lighting, solutions for moving lights, DMX, and Ethernet problems, and designer communication and collaboration. This book also explores the cross-media use of concert lighting techniques in film, video, theatre, and the corporate world, highlighted with advice from master designers such as Bruce Rodgers, Cosmo Wilson, and Sarah Landau. From securing precious contracts to knowing the best equipment to use to design a show, Concert Lighting covers everything a designer needs to know about working in the touring industry.
In Concert
The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present thems...
Joshua's Key
Imagine being spirited away in the middle of the night and waking up on a ship in the middle of the ocean, that didnt bother Joshua, he was a Seaton, he had grown up in the ocean, after all he had gills behind his ears and could breath underwater. What bothered Joshua was the giant rock man called Cragos, How could rocks talk? Never mind stand up? He didn't really understand the warrior women of Hen Coed, Why did they dislike him so much? Why were they always cranky? These women wanted to go to Morfa where the Seaton Elders lived Even the Seatons themselves didn't want to go down there, the Elders were up tight, How did these women expect to get to Morfa? They couldnt breath underwater, and ...
The Adventures of Joshua and Pip
On a blissfully bright day, Joshua decides to fly his cardboard box down Oak Tree Hill. Unfortunately, his attempts all end in failure. Joshua experiences many emotions. Suddenly, a new kid shows up. Will Pip have the answer Joshua needs to make his cardboard box fly?
Summer of Love
Though more than a generation has passed since the revolutionary fervor of the Summer of Love of 1967, the 1960s in many ways seem with us still. From recurring debates over the war in Vietnam to the perpetually appealing music of the Beatles and the Rolling Stone to the concern about youth drug use, the legacy of the 1960s is ubiquitous in contemporary life. The Summer of Love brings together an impressive group of historians, artists, and cultural critics to present a rich and varied interpretation of this seminal decade and its continuing influence on politics, society, and culture. The Summer of Love, which accompanies an exhibition at Tate Liverpool, pays particular attention to the wil...
Happy and Free
Two fun-loving cosmic explorers embark on adventures together throughout the metaphysical universe. Joshua and Jor-EL meet the caretaker of the Large Magellanic Cloud galaxy and encounter a civilisation living inside one of the galaxy’s stars. The adventurers also travel to Earth where they embark on multi-dimensional quests with Nature Spirits, a young Earth girl named Jenna, and whales. With Hyer, a highly evolved teacher who has a Liquid Crystalline Light Body, they visit a Light Ship and Inner Earth
Making Images Move
Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
