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An overdue introduction to one of the Americas' most eminent nineteenth-century artists, the Mexican painter José María Velasco José María Velasco (1840-1912) is considered the greatest Mexican landscape painter of the nineteenth century. In portraying his native country during decades of enormous societal change, he depicted its magnificent scenery, storied past, and rapid industrialisation, most famously in his monumental representations of the Valley of Mexico, the area surrounding modern Mexico City. Velasco was a true polymath, and much more than a painter of the national landscape. He was also a practising botanist, naturalist, and geologist with highly developed interests in archaeology and cartography. His curiosity about the natural world profoundly shaped his work. This book, the first monograph on Velasco to be published outside Mexico, provides a fresh appraisal of his work. Essays by scholars from the United States, Britain, and Mexico focus on his life and career, his interest in contemporary science, and his legacy for artists today.
The only volume on the work of Vicente Carducho in English Analysis of the Dialogues on Painting by international experts Contributors are art historians or hispanists, offering a multi-disciplinary approach
Rush University Medical Center Review of Surgery, edited by Drs. Velasco, Bines, Deziel, Millikan, McCarthy, Prinz, and Saclarides, gives you a concise yet comprehensive review of both general surgery and surgical subspecialties in a user-friendly question-and-answer format that mimics actual exams. Thoroughly revised, this 5th edition adds new chapters and updates existing chapters with the latest surgical techniques and practices, plus an increased emphasis on ethics, while maintaining its broad review of surgical topics to provide wide-ranging and complete coverage of the information most important to you. More than 1,500 peer-reviewed questions mirror standardized test blueprints provide...
Is Latin America experiencing a resurgence of leftwing governments, or are we seeing a rebirth of national-radical populism? Are the governments of Hugo Chávez, Evo Morales, and Rafael Correa becoming institutionalized as these leaders claim novel models of participatory and direct democracy? Or are they reenacting older traditions that have favored plebiscitary acclamation and clientelist distribution of resources to loyal followers? Are we seeing authentic forms of expression of the popular will by leaders who have empowered those previously disenfranchised? Or are these governments as charismatic, authoritarian, and messianic as their populist predecessors? This new and expanded edition of Populist Seduction in Latin America explores the ambiguous relationships between democracy and populism and brings de la Torre’s earlier work up to date, comparing classical nationalist, populist regimes of the 1940s, such as those of Juan Perón and José María Velasco Ibarra, with their contemporary neoliberal and radical successors. De la Torre explores their similarities and differences, focusing on their discourses and uses of political symbols and myths.
A Guide to Mexican Art, a survey of more than twenty centuries of art, has a double purpose. It provides an ample version of one of the great national arts by a leading art historian, and it serves simultaneously as a practical guide to the art's outstanding masterpieces. The Guide will thus be of value to specialists and students of Latin American art and to sightseers as an introduction and guide to the art and architecture of Mexico. To facilitate its use for the latter purpose, Professor Fernández has based his exposition on the sensitive analysis of works to be found almost exclusive in museums and public buildings accessible to the tourist. The book was originally published in Spanish in 1958 and revised in 1961. This English translation, from the second edition has been brought up to date by the author and translator.