You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The letter from Jose Rodriguez Feo that prompted Stevens's poem was the third in a ten-year correspondence (1944-54) between the poet and the young Cuban, who quickly became Stevens's "most exciting correspondent." The two shared a Harvard education, both were anxious to see Stevens translated for a Cuban audience, and each had an enduring admiration for Santayana, whose awareness of the cultural tensions between the Northern and Southern hemispheres formed a basis for the protracted argument between Stevens as the practical, Protestant father and the passionate Rodriguez Feo. The Cuban's descriptions of his life at the Villa Olga, of his black-and-white cow Lucera and his mule Pompilio, del...
Long unavailable, now in paperback for the first time, these are the brilliant, subtle, illuminating letters of one of the great poets of the twentieth century. Stevens's famous criterion for poetry--"It should give pleasure"--informed his epistolary aesthetic as well; these letters stimulate one's appetite for poetry as they valorize the imagination and the senses. They also offer fascinating glimpses of Stevens as family man, insurance executive, connoisseur, and friend. FROM THE BOOK:"Next to the passion flower I love fuchsias, and no kidding. . . . Down among the Pennsylvania Germans there was a race of young men . . . who carved willow fans. These men would take a bit of willow stick ab...
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s ...
While not on the scale of their European and North American counterparts, gays and lesbians have become increasingly open and visible in urban Latin America, with large public displays recently held in Buenos Aires, Mexico, Rio de Janeiro and Sao Paulo. This increased visibility is forcing the general public to come to terms with what has, until now, been a silent part of their population. This book takes a personal look at the activities of Latin America's homosexual community, and the varying perception of it by the populace as a whole. c. Book News Inc.
Often considered America's greatest twentieth-century poet, Wallace Stevens is without a doubt the Anglo-modernist poet whose work has been most scrutinized from a philosophical perspective. Wallace Stevens and the Limits of Reading and Writing both synthesizes and extends the critical understanding of Stevens's poetry in this respect. Arguing that a concern with the establishment and transgression of limits goes to the heart of this poet's work, Bart Eeckhout traces both the limits of Stevens's poetry and the limits of writing as they are explored by that poetry. Stevens's work has been interpreted so variously and contradictorily that critics must first address the question of limits to th...
This book demonstrates the material, political, and aesthetic dimensions of Pan-Caribbean literary discourse in magazine texts by Suzanne and Aimé Césaire, Nicolás Guillén, José Lezama Lima, Alejo Carpentier, George Lamming, Derek Walcott and their contemporaries. Thus far, the canonical centrality of literary magazines to Caribbean literature, politics, and social theory has been obscured. Up against the global book industry, Caribbean literary magazines have waged a guerrilla pursuit for the terms of Caribbean representation.
The Poetry of the Americas provides an expansive history of relations between poets in the US and Latin America over three decades, from the Good Neighbor diplomacy of World War II to 1960s Cold War cultural policy.
Everything in Its Place: The Life and Works of Virgilio Pinera: is a seminal book that fills a major gap in Cuban and Latin American literary criticism. In addition to being the most comprehensive study to date of the life and work of Virgilio Pinera, this is the first book in English on this major twentieth-century Cuban author. In this study Thomas F. Anderson draws extensively on unpublished manuscripts and diverse critical writings, bringing new insights into how Pinera's works responded to key literary influences as well as events in his life and in Cuban political and cultural history.
This book offers a wide-ranging display of innovative critical perspectives on the poetry of the American modernist Wallace Stevens.
In this expansive and contemplative history of Cuba, Louis A. Perez Jr. argues that the country's memory of the past served to transform its unfinished nineteenth-century liberation project into a twentieth-century revolutionary metaphysics. The ideal of