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Buffalo Bill's Wild West presents a fascinating analysis of the first famous American to erase the boundary between real history and entertainment Canada, and Europe. Crowds cheered as cowboys and Indians--and Annie Oakley!--galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure. Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audience...
When 19th century Americans looked at a statue of a nude woman in chains, or a shipwrecked mother and child, what did they see? The author argues that there was a connection between the popularity of artworks such as these, which derive from a sentimental literary culture, and the rapidly changing social, economic, and political environment that was beginning to raise questions about women's nature and role in society. By exploring the once-popular genre of ideal sculpture, with its focus on female subjects and its insistence on narrative content, Kasson is able to shed light on conventional assumptions about gender roles, as well as the tensions that lay behind these beliefs.
The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.
Who were the Native Americans? Where did they come from and how long ago? Did they have a history, and would they have a future? Questions such as these dominated intellectual life in the United States during the nineteenth century. And for many Americans, such questions about the original inhabitants of their homeland inspired a flurry of historical investigation, scientific inquiry, and heated political debate. History's Shadow traces the struggle of Americans trying to understand the people who originally occupied the continent claimed as their own. Steven Conn considers how the question of the Indian compelled Americans to abandon older explanatory frameworks for sovereignty like the Bib...
Raised on Gunsmoke, Bat Masterson, and The Life and Legend of Wyatt Earp, we know what it means to “get outta Dodge”—to make a hasty escape from a dangerous place, like the Dodge City of Wild West lore. But why, of all the notorious, violent cities of old, did Dodge win this distinction? And what does this tenacious cultural metaphor have to do with the real Dodge City? In a book as much about the making of cultural myths as it is about Dodge City itself, authors Robert Dykstra and Jo Ann Manfra take us back into the history of Dodge to trace the growth of the city and its legend side-by-side. An exploration of murder statistics, court cases, and contemporary accounts reveals the histo...
Coney Island: the name still resonates with a sense of racy Brooklyn excitement, the echo of beach-front popular entertainment before World War I. Amusing the Million examines the historical context in which Coney Island made its reputation as an amusement park and shows how America's changing social and economic conditions formed the basis of a new mass culture. Exploring it afresh in this way, John Kasson shows Coney Island no longer as the object of nostalgia but as a harbinger of modernity--and the many photographs, lithographs, engravings, and other reproductions with which he amplifies his text support this lively thesis.
Here is the most detailed and most engagingly narrated history to date of the legendary two-year facedown and shootout in Lincoln. Until now, New Mexico's late nineteenth-century Lincoln County War has served primarily as the backdrop for a succession of mythical renderings of Billy the Kid in American popular culture. "In research, writing, and interpretation, High Noon in Lincoln is a superb book. It is one of the best books (maybe the best) ever written on a violent episode in the West."--Richard Maxwell Brown, author of Strain of Violence: Historical Studies of American Violence and Vigilantism "A masterful account of the actual facts of the gory Lincoln County War and the role of Billy the Kid. . . . Utley separates the truth from legend without detracting from the gripping suspense and human interest of the story."--Alvin M. Josephy, Jr.
When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From blue jeans in central Europe to Elvis Presley's face on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon, but here Robert W. Rydell and Rob Kroes prove that its roots are far deeper. Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served ...
“Gripping. . . . transforms Sitting Bull, the abstract, romanticized icon and symbol, into a flesh-and-blood person with a down-to-earth story.” —The New York Times Book Review Winner, Spur Award for Best Western Nonfiction Historical Book A New York Times Notable Book Reviled by the United States government as a troublemaker and a coward, revered by his people as a great warrior chief, Sitting Bull has long been one of the most fascinating and misunderstood figures in American history. Distinguished historian Robert M. Utley has forged a compelling portrait of Sitting Bull, presenting the Lakota perspective for the first time and rendering the most unbiased, historically accurate, and...
"Excellent . . . readable and persuasive. . . . One of the most refreshing and rewarding approaches to be applied to western history topics in many years."-American Historical Review