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Violence Without God
  • Language: en
  • Pages: 217

Violence Without God

As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new form...

The Unthronged Oracle
  • Language: en
  • Pages: 334

The Unthronged Oracle

Laura Riding was a major poet whose poems, though widely admired and influential, have been little understood. Throughout the 1920s and 1930s she was 'a devout advocate of poetry' believing that 'to go to poetry is the most ambitious act of the mind'. Her subsequent renunciation of poetry in the 1940s gave rise to bemusement. Jack Blackmore tackles the causes of the neglect of Riding's poetry and establishes new and productive approaches to the poems. His close readings of fifteen poems demonstrate the progress of Collected Poems and the remarkable range and scope of her poetry. He establishes both the strength and unity of the poems and the continuity between them and her 'post-poetic' work, in particular her spiritual testament The Telling. Mark Jacobs's vivid memoir of a visit to the author in later life at her Florida home complements the work on the poems. "These essays are interesting and you have done well...You seem to me fair and just in what you say about her work.' - Robert Nye 'This is ambitious work, full of insights.' - Professor Michael Schmidtÿ

The Intellectual Life of the British Working Classes
  • Language: en
  • Pages: 478

The Intellectual Life of the British Working Classes

Which books did the British working classes read--and how did they read them? How did they respond to canonical authors, penny dreadfuls, classical music, school stories, Shakespeare, Marx, Hollywood movies, imperialist propaganda, the Bible, the BBC, the Bloomsbury Group? What was the quality of their classroom education? How did they educate themselves? What was their level of cultural literacy: how much did they know about politics, science, history, philosophy, poetry, and sexuality? Who were the proletarian intellectuals, and why did they pursue the life of the mind? These intriguing questions, which until recently historians considered unanswerable, are addressed in this book. Using in...

A Companion to Modernist Literature and Culture
  • Language: en
  • Pages: 616

A Companion to Modernist Literature and Culture

The Companion combines a broad grounding in the essentialtexts and contexts of the modernist movement with the uniqueinsights of scholars whose careers have been devoted to the studyof modernism. An essential resource for students and teachers of modernistliterature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the mostdistinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture,contemporary intellectual and aesthetic movements, and all thegenres of modernist writing and art Features 25 essays on the signal texts of modernist literature,from James Joyce’s Ulysses to Zora NealHurston’s Their Eyes Were Watching God Pays close attention to both British and Americanmodernism

Gerontology and Geriatrics Collections
  • Language: en
  • Pages: 182

Gerontology and Geriatrics Collections

  • Type: Book
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  • Published: 2013-08-21
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  • Publisher: Routledge

An essential resource for any library where research on aging is conducted--a guide to important and unique holdings in the field.

In Extremis
  • Language: en
  • Pages: 510

In Extremis

  • Type: Book
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  • Published: 2000-11
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  • Publisher: iUniverse

In Extremis is hte first major biography of a major 20th century modernist.

Allen Tate
  • Language: en
  • Pages: 471

Allen Tate

Despite his celebrity and his fame, a series of literary feuds and the huge volume of sources have, until now, precluded a satisfying biography of Allen Tate. Anyone interested in the literature and history of the American South, or in modern letters, will be fascinated by his life. Poetry readers recognize Tate, whom T. S. Eliot once called the best poet writing in America, as the author of some of the twentieth century's most powerful modernist verse. Others know him as a founder of The Fugitive, the first significant poetry journal to emerge from the South. Tate joined William Faulkner and others in launching what came to be known as the Southern Literary Renaissance. In 1930, he became a...

Art and Commerce in the British Short Story, 1880–1950
  • Language: en
  • Pages: 235

Art and Commerce in the British Short Story, 1880–1950

  • Type: Book
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  • Published: 2015-10-06
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  • Publisher: Routledge

The short story was a commercial phenomenon which took off in the late nineteenth century and lasted through to the rise of television and film. Baldwin uses a wide variety of sources to show how economic factors helped to dictate how and what a wide variety of authors wrote.

Poetic Epistemologies
  • Language: en
  • Pages: 252

Poetic Epistemologies

  • Type: Book
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  • Published: 2000-01-27
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  • Publisher: SUNY Press

Through detailed readings and interviews, this book provides a valuable introduction to feminist language-poets and to some of the most compelling issues in contemporary poetry.

T.E. Hulme and the Question of Modernism
  • Language: en
  • Pages: 257

T.E. Hulme and the Question of Modernism

  • Type: Book
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  • Published: 2016-03-23
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  • Publisher: Routledge

Though only 34 years old at the time of his death in 1917, T.E. Hulme had already taken his place at the center of pre-war London's advanced intellectual circles. His work as poet, critic, philosopher, aesthetician, and political theorist helped define several major aesthetic and political movements, including imagism and Vorticism. Despite his influence, however, the man T.S. Eliot described as 'classical, reactionary, and revolutionary' has until very recently been neglected by scholars, and T.E. Hulme and the Question of Modernism is the first essay collection to offer an in-depth exploration of Hulme's thought. While each essay highlights a different aspect of Hulme's work on the overlapping discourses of aesthetics, politics, and philosophy, taken together they demonstrate a shared belief in Hulme's decisive importance to the emergence of modernism and to the many categories that still govern our thinking about it. In addition to the editors, contributors include Todd Avery, Rebecca Beasley, C.D. Blanton, Helen Carr, Paul Edwards, Lee Garver, Jesse Matz, Alan Munton, and Andrew Thacker.