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This engaging book tells the story of Philadelphia from its founding to the present day, with a particular focus on important events and figures in the city's history. It is a must-read for anyone interested in Philadelphia or American history in general. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Taking care of a cat and a baby brother turns into a series of comic adventures when George wakes up to find himself shrunk to the size of a mouse.
`Is there one who understands me?' So wrote James Joyce towards the end of his final work, Finnegans Wake. The question continues to be asked about the author who claimed that he had put so many enigmas into Ulysses that it would `keep the professors busy for centuries' arguing over what he meant. For Joyce this was a way of ensuring his immortality, but it could also be claimed that the professors have served to distance Joyce from his audience, turning his writings into museum pieces, pored over and admired, but rarely touched. In this remarkable book, steeped in the learning gained from a lifetime's reading, David Pierce blends word, life and image to bring the works of one of the great m...
This eighth in a series continues this ground-breaking word-by-word analysis of James Joyce's Finnegans Wake. This volume covers chapter 3.3, a long and difficult chapter in the form of a father's dream. Father HCE dreams of a passive son named "Yawn," a version of Shaun. Made passive by sucking up to customers, the father's primal desires project a passive son potentially subject to father control. And this Yawn is so passive he needs help in releasing his feces. Talk about anal retentive! The dreamer's script loads Yawn's defenseless psyche with aspects of father-troubled sons from the collective past, including Freud's famous client Wolfman, Cain and Oedipus. Father trouble registers as d...
First published in 1986. Dubliners was James Joyce’s first major publication. Setting it at the turn of the century, Joyce claims to hold up a ‘nicely polished looking-glass’ to the native Irishman. In Backgrounds for Joyce’s Dubliners, the author examines the national, mythic, religious and legendary details, which Joyce builds up to capture a many-sided performance and timelessness in Irish life. Acknowledging the serious work done on Dubliners as a whole, in this study Professor Torchiana draws upon a wide range of published and unpublished sources to provide a scholarly and satisfying framework for Joyce’s world of the ‘inept and the lower middle class’. He combines an understanding of Joyce’s subtleties with a long-standing personal knowledge of Dublin. This title will make fascinating reading for scholars and students of Joyce’s writing as well as for those interested in early twentieth century Irish social history.
This collection of essays is a critical reexamination of Joyce’s famed book of short stories, Dubliners. Despite the multifaceted critical attention Dubliners has received since its publication more than a century ago, many readers and teachers of the stories still rely on and embrace old, outdated readings that invoke metaphors of paralysis and stagnation to understand the book. Challenging these canonical notions about mobility, paralysis, identity, and gender in Joyce’s work, the ten essays here suggest that Dubliners is full of incredible movement. By embracing this paradigm shift, current and future scholars can open themselves up to the possibility of seeing that movement, maybe even noticing it for the first time, can yield surprisingly fresh twenty-first-century readings.
Because the stories in James Joyce's Dubliners seem to function as models of fiction, they are able to stand in for fiction in general in their ability to make the operation of texts explicit and visible. Joyce's stories do this by provoking skepticism in the face of their storytelling. Their narrative unreliabilities—produced by strange gaps, omitted scenes, and misleading narrative prompts—arouse suspicion and oblige the reader to distrust how and why the story is told. As a result, one is prompted to look into what is concealed, omitted, or left unspoken, a quest that often produces interpretations in conflict with what the narrative surface suggests about characters and events. Margo...
The first sustained analysis of the place of homoeroticism in Joyce's cultural politics
In his comprehensive study of love in James Joyce's writings, DeVault shows that Joyce frequently ties his characters' personal and political pursuits to their ability to affirm both their loved ones and their fellow Dubliners. For Joyce, love for others need not compromise one's personal desires, but rather offers the possibility of a broader social compassion that creates a more progressive body politic.