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The remarkable story of “outsider” artist Judith Scott, who was institutionalized for more than thirty years before being reunited with her sister From birth, fraternal twins Judith and Joyce Scott lived as if they were one person in two bodies, understanding instinctively what the other wanted and felt, despite the fact that Judy had Down syndrome, profound deafness, and never learned to speak or sign. But this idyllic childhood of color, texture, and feeling ended abruptly when, at age seven, Judy was taken from their shared bed while Joyce slept, not knowing that the wholeness they had known was being shattered. For the next three decades, Joyce is left without her other half and must...
A moving and powerful introduction to the life and art of renowned artist, Judith Scott, as told by her twin sister, Joyce Scott and illustrated by Caldecott Honor artist, Melissa Sweet. Judith Scott was born with Down syndrome. She was deaf, and never learned to speak. She was also a talented artist. Judith was institutionalized until her sister Joyce reunited with her and enrolled her in an art class. Judith went on to become an artist of renown with her work displayed in museums and galleries around the world. Poignantly told by Joyce Scott in collaboration with Brie Spangler and Melissa Sweet and beautifully illustrated by Caldecott Honor artist, Melissa Sweet, Unbound is inspiring and warm, showing us that we can soar beyond our perceived limitations and accomplish something extraordinary.
The Moghuls gave India the Taj Mahal and, as this ground-breaking book shows, they also transformed the country's cooking. Duck with cherries, pomegranate soup, apricot-flavoured lamb, aubergines with tamarind, date halva: India's Moghul invaders revolutionised the cooking of the subcontinent by bringing from Muslim Persia a refined and sophisticated Middle Eastern cuisine and combining it with Indian spices and ingredients to produce some of the world's boldest food combinations and most exquisite recipes. Moghul Cooking is the first ever book on the subject and offers the reader a truly mouth-watering selection of dishes. Covering a wide range of recipes from snacks and soups to breads and...
The remarkable story of “outsider” artist Judith Scott, who was institutionalized for more than thirty years before being reunited with her sister From birth, fraternal twins Judith and Joyce Scott lived as if they were one person in two bodies, understanding instinctively what the other wanted and felt, despite the fact that Judy had Down syndrome, profound deafness, and never learned to speak or sign. But this idyllic childhood of color, texture, and feeling ended abruptly when, at age seven, Judy was taken from their shared bed while Joyce slept, not knowing that the wholeness they had known was being shattered. For the next three decades, Joyce is left without her other half and must...
"Drawing on 160 published memoirs, this book explores the costs and benefits in the post-WWII period in the United States both for individuals and for families of keeping secrets about homosexuality, institutionalization of children with disabilities, unwed pregnancy, involvement in left-wing political activities, adoption, and Jewish ancestry"--
Safe Keeping is an intimate account of a small English boy's survival of a mid-Atlantic U-boat attack while on a wartime voyage to sanctuary, and his subsequent joyful childhood exile in America, which paved the way to a rich and rewarding adult life. It is a vivid account of wartime anxieties on both sides of the Atlantic, exploring among much else, death and sacrifice, rationing and food shortages, child-rearing and education. The story is told through the correspondence between the boy's mother in England and his Connecticut foster-mother - greatly enhanced by the boy's own vivid verbatim descriptions of his full and varied life.
This powerful and insightful work offers a bold celebration of the innovative, brilliant artists reclaiming the idea of ‘women’s work’. In the history of western art, decorative and applied arts – including textiles and ceramics – have been separated from the ‘high arts’ of painting and sculpture and deemed to be more suitable for women. Artists began to reclaim and redefine these materials and methods, energizing them with expressions of identity and imagination. Women’s Work tells the story of this radical change, highlighting some of the modern and contemporary artists who dared to defy this hierarchy and who, through, experimentation and invention, transformed their medium. The work of these women has helped underscore the ongoing value of these art forms within the history of art, championing ‘women’s work’ as powerful mediums worthy of celebration. With biographical entries on each artist featured, as well as beautiful images of their artworks, Women's Work raises up the work of these visionary and groundbreaking artists, telling their stories and examining their artistic legacies.
'Destined to become a new classic' Chris Kraus A dazzlingly original reassessment of women's stories, bodies and art - and how we think about them. For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it? Exploring the ways in which feminist artists have taken up this challenge, Art Monsters is a landmark intervention in how we think about art and the body. Weaving daring links between disparate artists and writers – from Julia Margaret Cameron’s photography to Kara Walker’s silhouettes, Vanessa Bell’s portraits to Eva Hesse’s rope sculptures – Lauren Elkin shows that their work offers a potent celebration of beauty and excess, sentiment and touch, the personal and the political. ‘The Susan Sontag of her generation’ Deborah Levy
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This edited collection examines conflicting assumptions, expectations, and perceptions of maternity in artistic, cultural, and institutional contexts. Over the past two decades, the maternal body has gained currency in popular culture and the contemporary art world, with many books and exhibitions foregrounding artists’ experiences and art historical explorations of maternity that previously were marginalized or dismissed. In too many instances, however, the maternal potential of female bodies—whether realized or not—still causes them to be stigmatized, censored, or otherwise treated as inappropriate: cultural expectations of maternity create one set of prejudices against women whose b...