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In 1942, at the height of World War II, the Japanese invasion of the Philippine Islands, force the Americans commanded by General Douglas MacArthur, to withdraw from the Philippines leaving behind many Americans and pro-American Filipinos. Several of the abandoned Americans and the pro-American Filipinos are captured and imprisoned in various detainee camps throughout the Philippines. Those pro-American Filipinos not imprisoned, through guerrilla activities, try to sabotage the Japanese military government. One of these brave and fearless individuals, Carlos Malonso, creates his own radio station called The Voice of Juan de la Cruz. His broadcasts supply information about pro-American war ev...
In 1578, during months of imprisonment for his reformist beliefs, San Juan de la Cruz composed a series of narrative poems inspired by the Biblical Song of Songs—and, the story goes, a popular love song overheard from his cramped cell—that take God as the beloved. Erotically charged, initially scandalous, his mystical poetry engages with the journey of the soul through the darkest trenches of suffering and despair toward an enlightened spiritual connection with God. For hundreds of years, these poems have resonated deeply with those who search for meaning in the dark, and have influenced generations of poets, artists, and philosophers. This bilingual edition of the Complete Poems—inclu...
Thought and Poetic Structure in San Juan de la Cruz's Symbol of Night is a comprehensive appraisal of the traditional critical perspectives of mysticism: philosophical, theological, literary, and psychological. Examining the a priori limitations of these approaches, the book presents an original definition of the symbol as an integral whole of experience and expression, and concludes that night is the form - the organizing principle - of spiritual life.
St. John (San Juan de la Cruz) is one of the greatest mystics and poets in any language. This is a new introduction and translation of St. John'' poetry (presented in both Spanish and English) and prose commentaries that includes his biography, providing an integrated vision that resurrects the power of his poetic voice.
During his one and only return visit to the Philippines, Johnny de la Cruz-plagued by a sense of isolation-succumbs to a quick sexual encounter with an old flame, the attractive and beguiling Bunny Piña. Years later, nineteen-year-old Winston Piña has barely finished eulogizing his recently deceased mother when he finds a letter she wrote, but never sent, to Johnny. This leads Winston into the lives of the de la Cruz family-a family to which he might or might not belong. When the de la Cruz Family Danced explores the ties within family and how they are affected by circumstances of birth, immigration, and assimilation.
Exceptionally clear and well-written chapters provide engaging discussions of the methods of accessing, generating, and analyzing social science data, using methods ranging from reflexive historical analysis to critical ethnography. Reflecting on their own research experiences, the contributors offer an inside, applied perspective on how research topics, evidence, and methods intertwine to produce knowledge in the social sciences.
This book is a study of the nine short poems, called romances, composed by the Spanish mystic Saint John of the Cross (San Juan de la Cruz). The focus of the poems is the Trinity, and their point of departure is the opening verses of the Gospel of John. This is the first in-depth, English-language analysis of these poems, and looks at their literary, historical, scriptural, theological, and mystical elements. It also ties these works to San Juan’s better-known lyrical poems and his prose commentaries. It will appeal to anyone interested in Spanish mystical poetry and the sources that inform that poetry.
The paperback edition of a very successful and in some ways remarkable book, first published in 1973. Gerald Brenan is well known for his 'expository' works on Spanish history and literature, and now in his eighties he has returned to an early interest in the Spanish mystics to produce an absorbing study of St John of the Cross, one of the foremost of Catholic mystics and poets. The book is perhaps the first in English to combine an objective - but sensitive and lively - account of St John's life with a fresh translation (by Mr Brenan's associate Lynda Nicholson) of his verse.
John A. Crow, a leading Hispanist, has culled the best translations available--by such poets as Richard Franshawe, Edward Fitzgerald, Percy Bysshe Shelley, Lord Byron, Henry Wadsworth Longfellow, William Cullen Bryant, Robert Southey, and many distinguished modern poets--of poems ranging from the eleventh century to the present to make this the most complete collection of both Spanish and Spanish American poetry in English translation. Represented here is work by such twentieth century poets as Gabriela Mistral, Octavio Paz, Federico García Lorca, César Vallejo, Pablo Neruda, Anotnio Machado, and Juan Ramón Jiménez, many of whom the editor has known personally. The inclusion of many contemporary poets whose verse has never before appeared in English makes this anthology a particularly valuable collection.