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Grappling with his son's death, the painter David explores his grief through art and writing, etching out the rippled landscape of his loss. Over twenty years after his son's death, nearly blind and unable to paint, David turns to writing to examine the deep shades of his loss. Despite his acute pain, or perhaps because of it, David observes beauty in the ordinary: in the resemblance of a woman to Egyptian portraits, in the horseshoe crabs that wash up on Coney Island, in the foam gathering behind a ferry propeller; in these moments, González reveals the world through a painter's eyes. From one of Colombia's greatest contemporary novelists, Difficult Light is a formally daring meditation on grief, written in candid, arresting prose.
Ethnic minority communities make claims for cultural rights from states in different ways depending on how governments include them in policies and practices of accommodation or assimilation. However, institutional explanations don’t tell the whole story, as individuals and communities also protest, using emotionally compelling narratives about past wrongs to justify their claims for new rights protections. Democratization and Memories of Violence: Ethnic minority rights movements in Mexico, Turkey, and El Salvador examines how ethnic minority communities use memories of state and paramilitary violence to shame states into cooperating with minority cultural agendas such as the right to mot...
Nahua-Spanish contact was not limited to formal political and economic settings. The author describes the development of Spanish estates and the market economy, which opened up a new arena of cultural contact in the countryside. In bringing Nahuas and Spaniards together in this study, the book explores the changing contours of their relationship in Central Mexico, emphasizing informal interethnic contact in the making of both the Spanish colonial economy and postconquest Nahua society.
"The prayers of those of us who have long hungered for a comprehensive, historically deep, learned and accessible account of international agrarian movements have finally been answered in full. We will long be in debt to Edelman and Borras for this exceptional and lasting contribution to agrarian scholarship." - James C. Scott, founding Director, Yale University Agrarian Studies Program, author of The Art of Not Being Governed
His vivid and plain-spoken account of life among the Maya during the war between guerrillas and the army in the 1980s and 1990s offers detailed descriptions of the atrocities committed by both sides and brings the reader into a Mayan world richly textured with indigenous beliefs and practices.
Women in early 18th century Spanish Colonial New Mexico had rights and privileges under Spanish law that were not enjoyed by other women in North America until the late 19th and early 20th century. Women were considered separate entities under the law and valuable members of Spanish society. As such, they could own property, inherit in their own name, and act as court witnesses. In particular they could make accusations and denunciations to the local alcalde mayor and governor, which they frequently did. The documents in this book show that Spanish Colonial women were aware of their rights and took advantage of them to assert themselves in the struggling communities of the New Mexican fronti...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
A daring masterwork by Javier Marias: "Spain's most subtle and gifted writer." (The Boston Globe)
Part 1 includes Europe, part 2 includes Outside of Europe.