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A memoir by the legendary cookbook editor who was present at the creation of the American food revolution and played a pivotal role in shaping it • “Engrossing. . . . The Tenth Muse lets you pull up a chair at the table where American gastronomic history took place.”—O, The Oprah Magazine Living in Paris after World War II, Jones broke free of bland American food and reveled in everyday French culinary delights. On returning to the States she published Julia Child's Mastering the Art of French Cooking. The rest is publishing and gastronomic history. A new world now opened up to Jones as she discovered, with her husband Evan, the delights of American food, publishing some of the premier culinary luminaries of the twentieth century: from Julia Child, James Beard, and M.F.K. Fisher to Claudia Roden, Edna Lewis, and Lidia Bastianich. Also included are fifty of Jones's favorite recipes collected over a lifetime of cooking-each with its own story and special tips. “Lovely. . . . A rare glimpse into the roots of the modern culinary world.”—Chicago Tribune
From the legendary editor of some of the world’s greatest cooks—including Julia Child and James Beard—a passionate and practical book about the joys of cooking for one. Here, in convincing fashion, Judith Jones demonstrates that cooking for yourself presents unparalleled possibilities for both pleasure and experimentation: you can utilize whatever ingredients appeal, using farmers’ markets and specialty shops to enrich your palate and improve your health; you can feel free to fail, since a meal for one doesn’t have to be perfect; and you can use leftovers to innovate—in the course of a week, the remains of beef bourguignon might be reimagined as a ragù, pork tenderloin may becom...
A challenging, iconoclastic study that makes clear the underlying unity of Whitehead's vision of the world. This important and provocative book on the work of Alfred North Whitehead (1861-1947) explores how his avowed atomism is consistent with his equally essential commitment to a view of reality as a thoroughly interconnected sphere of relations. Judith Jones challenges Whitehead's readers to reconsider certain prevailing interpretations of his organic philosophy. To Jones, a rereading of Whitehead's overall philosophic project is essential to evaluating his contributions to metaphysics and ontology. SinceWhitehead's basic worldview is holistic, a return to viewing Whitehead's work as a wh...
I Am Here: Postcards from My Daughter in Spirit is a heart-wrenching and touching collection of messages from a daughter to her mother, sent from beyond the veil. It is a story of loss, overwhelming grief, and finally healing—through small messages, or what the author calls ‘postcards’—from the other side. Each postcard serves as a reminder that love and connection endure, even in death. With each postcard, Judith Jones Togher’s daughter Suzanne shares her thoughts, wisdom, and love, offering comfort and solace to her mother and readers alike. Suzanne conveys the peace and happiness of the afterlife, while also addressing the grief and loss that her passing has brought. Togher offe...
Presents more than forty recipes for baking all kinds and shapes of bread from French bread to peanut butter muffins to pizza.
A biography of Mary Harris Jones, the union organizer who worked tirelessly for the rights of workers.
Suitable for undergraduate BDS exam-takers, postgraduate MFDS exams, and overseas candidates sitting their IQEs, this book offers a revision text developed by dentists focussed on getting students through their dental OSCE exams.
"The Book of Bread . . . is a treasure. Written by two of the best-known food authorities in the U.S., the book makes the baking of bread a true labor of love."--San Francisco Chronicle
A monograph on Lucy Jones and her self-portraits. Setting Lucy's work in the context of her life and artistic times, this work portrays her story as told in an interview with Judith Collins. A short tribute by John Kirby demonstrates how affectionately Lucy, the painter and Lucy, the person are regarded by her fellow artists.