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Illuminating the Renaissance
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the n...
Als Ich Can
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Rural Space in the Middle Ages and Early Modern Age
Older research on the premodern world limited its focus on the Church, the court, and, more recently, on urban space. The present volume invites readers to consider the meaning of rural space, both in light of ecocritical readings and social-historical approaches. While previous scholars examined the figure of the peasant in the premodern world, the current volume combines a large number of specialized studies that investigate how the natural environment and the appearance of members of the rural population interacted with the world of the court and of the city. The experience in rural space was important already for writers and artists in the premodern era, as the large variety of scholarly...
Bulletin
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The Italian Renaissance Imagery of Inspiration
Publisher Description
Rickey & Robinson
In Rickey & Robinson, legendary sportswriter Roger Kahn reveals the true, unsanitized account of the integration of baseball--a story that for decades has relied largely on inaccurate, secondhand reports. Focusing on Branch Rickey and Jackie Robinson, Kahn's account is based on exclusive reporting and his personal reminiscences, including revelatory material he buried in his notebooks in the '40s and '50s. Rickey and Robinson were chiefly responsible for making integration happen. Through in-depth examinations of both men, Kahn separates fact from myth to present a truthful portrait of baseball and its participants at a critical juncture in American history.
Commentary on the Book of Hours of the Master of Charles V
The Book of Hours known as the "Master of Charles V’s Book of Hours" is a rare and precious work, produced between 1530 and 1538 in Flanders. Based on the studies conducted here by Professor Carla Rossi, this manuscript not only represents an extraordinary testament to the art of its time but also sheds light on the personal history of one of the most cultured and powerful noblewomen of the European Renaissance: Marchioness Mencía de Mendoza (1508–1554), to whom, as Rossi has discovered through archival research, it was originally destined. The manuscript was commissioned by Marchioness Mencía de Mendoza, one of the most educated and influential ladies in Europe, a refined collector of...
Jan van Eyck and Portugal's 'Illustrious Generation'
This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lo...
The Use of Models in Medieval Book Painting
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
