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Even in the Regency, marketing plans were useful, especially when parents were seeking to marry a daughter advantageously. Lord and Lady Curran expect their daughter's portrait to convince potential suitors of her beauty, her worth and her desirability. Of course, it must also show her as a perfect, obedient, demure lady. Kermit Sutherland is a popular portraitist, so of course he is engaged to produce the portrait. What Chastity's parents don't understand is that Sutherland paints more than the surface. He has a knack for seeing into a woman's heart and soul. Under her obedient faade, Chastity harbors a rebellious heart, and Sutherland sees it and encourages it. When her portrait is finished, it might show more than her parents--or she--have bargained for.
Every family is dysfunctional in one way or another, but mostly the Blankenships get along in spite of themselves. Cecile, the family matriarch, has invited (read commanded) everyone to a family reunion at the ancestral ranch near Yellowstone. Annie brings inconsolable sorrow, Hetty dreads her parents' reaction to her latest lover, Evan has a secret, and Serhilda wants to be anywhere else. With four generations living in each others' pockets, everyone expects bickering, spats, hurt feelings, and perhaps a few secrets finally revealed. When the week is over, even Cecile wonders if the reunion brought the family closer together, as she had hoped, or created rifts so great that they'll never be mended.
Tony Dewitt, his reputation in tatters, is hired to install a newfangled telephone system in Hailey, Idaho. Lulu King she has devoted her life to the campaigns for women's suffrage and equal rights for all. They were childhood friends, but conflicting goals drove them apart. Now fate has brought them to the same small town and the old attraction is difficult to deny. Sabotage to the telephone system and a wave of Anti-Chinese hysteria threaten Tony's career and Lulu's convictions. The consequences of their one night of love shadow their future. How long before their very lives are endangered?
The study of antiquities is no fit activity for a lady, according to Amaryllis Raven's guardians, the aunt and uncle who took her in after her father's death. Yet her Aunt Sessiletyn makes no effort to introduce her to the ton. Heir to a marquessate, Chaunce Boothsby would rather dig for buried Roman ruins than play a man-about-town. They might never have met, but for a duck-chasing dog. Before long she begins to dream impossible dreams. But Aunt Sessiletyn sees Chaunce as a perfect match for her beautiful daughter, and attempts to convince Amaryllis that his only interest in her is her father's only legacy, the secret location of his antiquities site. Only a bold move will allow love to triumph, and Chaunce must make it soon.
At the ripe old age of thirty-six, Clay Wooten is tired of his law career and his insane, meddling family. Between constantly having to rescue his younger sister from her life-and-death antics and his parents' high-handed belief that they can manage his life better than he can, he wants out. At the very least, he wants to escape long enough to figure out on his own which direction to follow for his future. Harper Marasek had spent her teenage years wanting nothing more than to escape the stifling, suffocating small town she was born and raised in. When the charming and much-too-old-for-her Clay Wooten passed through Amethyst when she was fifteen years old, she found herself smitten...and a f...
Are we more than the roles we're expected--or even willingly--to fill? In her forties, Cassie McBride has come to the realization that she lost herself in marriage and trying to be a good mother to her two children, both now in college. While she loved her job as a family court lawyer, she can no longer separate what made her happy and what she did because she believed she was supposed to in order to be fulfilled. After her husband cheats on her with a neighbor in a scandalous affair that the entire New Jersey community they live in is witness to, she divorces him and moves to Scottsdale, Arizona to start over. With a new job at a nonprofit foundation, she buys herself a "makeover" wardrobe,...
A body in a garage. A revolver in a locked car. A chance meeting of two old friends on a plane. Is this a happy reunion...or a devious frame-up for murder? The Risa Vitale that Adam Taggart remembers as a skinny daredevil kid trailing him around the ski club never showed any signs of becoming the attractive woman who greets him as he disembarks from a flight. His uncomplicated happiness at their reunion, however, ends shortly after she offers him a ride. Finding a revolver under his seat and a pool of blood in the back of her van quashes any hope of attraction. The biggest romance killer of all: The dead body of his stepsister in Risa's parents' garage!
Natalie Dane is struggling. Against the advice of friends and family, she embraced selling real estate, a career that's gone nowhere fast. In fact, the owners of her agency have issued an ultimatum: sell the McAdoo House or clear out your office. The problem? The structure in question is over one-hundred-years old, seriously run down, and, according to potential buyers, has an odd feel to it. Enter Simon Grayson, a man with questionable experience in haunted houses and talents no sensible person should trust. Worse, he's clearly oblivious to Nat's figure flaws, an attitude that flatters as much as alarms her. Focused on saving her career and struggling with low self-esteem, she has used her busy days as an excuse to avoid men. Simon, with his easy smile and blatant compliments, could easily break down her emotional barriers. She knows she'd be smart to avoid him. But times are hard, and Natalie is desperate--so desperate that she hires the guy in spite of his charm and good look. Can Simon work his magic not only on the house, but on the woman trying to sell it? And what will happen when the job is done and it's time for him to ride his Harley into the sunset?
When Whitney Cooper inherits a house and five acres in Montana, she jumps at the opportunity to begin a new life. A life without fear... In an unpleasant surprise, she's crushed to discover her house is attached to a ranch belonging to the Martin family. The reception she gets from Jared Martin is anything but welcoming. Even as she wonders what could be worse than what she was running from before, accidents that threaten her life bring back the terror she believed she'd finally escaped in moving to Montana. Often left with the bitter taste of regret after an encounter with Whitney, Jared acknowledges he has a bad habit of jumping to conclusions about her--the unfair aftereffects of a bad romance in his past. The pull of desire he feels whenever she's around is the last thing he wants or needs, but he's certain she's hiding something and he's determined to find out what. Will Jared discover too late that keeping Whitney safe could cost them both their lives...along with his heart?
How do you know destiny when it knocks on your door, or recognize it if it's always been there? Christian Riley, Elizabeth Horace, and Oscar Albright grew up together, the cliched "church kids", but Chris quickly found everything about his life stifling. When he moves to Los Angeles to get away from everything his existence has dictated for him, he doesn't expect Elizabeth to follow him, but he's known for as long as he can remember that she loves him obsessively...just as Oscar loves her. With Chris's faith in tatters, he has no interest in Christianity let alone morality. Yet in the thirteen years that follow, he finds himself returning to Elizabeth whenever he hits rock bottom. Deep down,...