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The summer when Heather was eighteen, her dream beast's nightly visits warded off loneliness and swept her away in flights of ecstasy. Now, returning to the mountains to sell her dead parents' vacation cabin, she finds her "beast" again. But he turns out to be more than a dream. She meets Devin in the flesh, apparently not a day older. His first human lover, centuries in the past, died horribly because of her devotion to him. Does he dare expose another mortal woman to that risk?
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Sent to England for a summer with relatives, twins Zac and Lu learn that their recently-deceased mother's tales of mythical creatures are true, and they must find a phoenix to break a curse.
WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends âe" Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves âe" Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
In this, her second novel, (awarded the 1967 John Llewellyn Rhys Prize) Angela Carter's brilliant imagination and starting intensity of style explore and extend the nature and boundaries of love.
In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father and greatest actor of his generation Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he's still alive. And if, in truth, Melchior is their real father after all... Wise Children is adapted for the stage from Angela Carter's last novel about a theatrical family living in South London. It centres around twin chorus girls, Nora and Dora Chance, whose lives are brimming with mystery, illegitimacy and scandal. Dora narrates the story as her older self, looking back on a tumultuous life, throughout which she and her sister have loved to sing and dance. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope. Expect show girls and Shakespeare, sex and scandal, music, mischief and mistaken identity – and butterflies by the thousand.
In this all new anthology, 18 of todays top authors take a bite out of vampire lore with their own nightmarish visions. From a vampire blessed by Christ, to the truth about Oscar Wilde and the Bow Street Runners, such acclaimed authors as Tanya Huff, P.N. Elrod and Lois Tilton are among the writers brave enough to take on these thirsty lords of the night.
Comprehensive bibliography (1000+ items) is preceded by three critical essays, two by the editor and one by Devendra P. Varma, a scholar of Dracula and vampirism. A timely release considering the upsurge of interest in this field, and well done. Senf looks at why the vampire has evolved so significantly over the years and why in the 20th century it is primarily a character in popular literature while its 19th century counterpart was an important part of the literary mainstream. No index. Cloth edition, $32.95 (unseen). Annotation copyrighted by Book News, Inc., Portland, OR
War has stolen Kirsten’s fiance Shawn from her. After he’s reported missing and presumed dead in Afghanistan, she turns to witchcraft to bring him back. Though she can’t recall him from the dead, magic can grant them one last weekend together for a proper farewell. Once she has tasted his love again, she can hardly bear the thought of letting him go. Yet even this brief interlude violates the laws of nature. There is no way to make his return permanent—or is there?
Sequel to Dark Changeling. Gillian, a vampire-human hybrid in the throes of adolescence, panics at the unfamiliar urges and powers surging through her. Overwhelmed, she runs to the half-human father she has never known. Psychiatrist Roger Darvell has come to terms with his vampire half and built a good life, with a satisfying career and his human partner, Dr. Britt Loren, who is also his lover.Gillian's sudden appearance out of a December night throws him into turmoil. Can he teach her how to live as an ethical vampire without violating either side of her nature? Before they have much time to learn to trust each other, a specialist in folklore kidnaps Gillian to study her. She is soon rescued, not by Roger, but by Camille, a vampire woman determined to avenge her brother, whom Roger killed in self-defense thirteen years earlier. Camille's wild, fierce lifestyle proves seductive to Gillian. Can she resist Camille's attempt to make her a "real" vampire, one who treats ordinary mortals as mere prey? Can Roger save Gillian before her human side becomes completely submerged in lust for the kill?