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Human Anatomy
Starting with the groundbreaking drawings of Leonardo da Vinci, this lavishly illustrated book chronicles the remarkable history of anatomical illustration from the Renaissance to the digital 'Visible Human' project today. Its survey of five and a half centuries of meticulous visual description by anatomists and artists will be a welcome addition to the libraries of artists, art students, doctors and anyone interested in the history of science.
Human Anatomy
This illustrated book chronicles the remarkable history of anatomical illustration from the Renaissance to the digital 'Visible Human' project today. It is a survey of five and a half centuries of meticulous visual description by anatomists and artists. Starting with the groundbreaking drawings of Leonardo da Vinci - who was, uniquely, both a great artist and a great scientist - anatomical illustration developed into an important art form, one that contributed to both art and science.
The Male Body in Medicine and Literature
With the dawn of modern medicine there emerged a complex range of languages and methodologies for portraying the male body as prone to illness, injury and dysfunction. Using a variety of historical and literary approaches, this collection explores how medicine has interacted with key moments in literature and culture.
Picturing Punishment
Picturing Punishment examines representations of criminal bodies as they moved in, through, and out of publicly accessible spaces in the city during punishment rituals in the seventeenth-century Dutch Republic. Once put to death, the criminal cadaver did not come to rest. Its movement through public spaces indicated the potent afterlife of the deviant body, especially its ability to transform civic life. Focusing on material culture associated with key sites of punishment, Anuradha Gobin argues that the circulation of visual media related to criminal punishments was a particularly effective means of generating discourse and formulating public opinion, especially regarding the efficacy of civ...
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Book Illustration in the Long Eighteenth Century
Hitherto relegated to the closets of art history and literary studies, book illustration has entered mainstream scholarship. The chapters of this collection offer only a glimpse of where a complete reconfiguration of the visual periphery of eighteenth-century texts might ultimately take us. The use of the gerund of the verb “to reconfigure” in the subtitle of this collection, instead of the corresponding noun, underlines the work-in-progress character of this interdisciplinary endeavour, which aims above all to discern new vistas while charting or revisiting landmarks in the rich field of eighteenth-century book illustration. The specific interpretive lenses through which contributors to...
Anatomy of the Medical Image
This volume addresses the interdependencies between visual technologies and epistemology with regard to our perception of the medical body. It explores the relationships between the imagination, the body, and concrete forms of visual representations: Ranging from the Renaissance paradigm of anatomy, to Foucault’s “birth of the clinic” and the institutionalised construction of a “medical gaze”; from “visual” archives of madness, psychiatric art collections, the politicisation and economisation of the body, to the post-human in mass media representations. Contributions to this volume investigate medical bodies as historical, technological, and political constructs, constituted where knowledge formation and visual cultures intersect. Contributors are: Axel Fliethmann, Michael Hau, Birgit Lang, Carolyn Lau, Heikki Lempa, stef lenk, Joanna Madloch, Barry Murnane, Jill Redner, Claudia Stein, Elizabeth Stephens, Corinna Wagner, and Christiane Weller.
The Seduction of Pessimism in the Novel
The Seduction of Pessimism in the Novel: Eros, Failure, and the Quarrel with Philosophy explores the novel as a response to the Platonic myth that narrates the rift at the core of our being. Eros is supposedly the consolation for this rift, but the history of the novel documents its expression as one of frustrated desires, neuroses, anxieties, and cosmic doom. As if repeating the trauma from that original split in Plato—a split that also divides philosophy from literature—the novel treats eros as a site of loss and grief, from the medieval romances to Goethe, Brontë, Proust, Mann, Woolf, Lawrence, and Nabokov. The pessimism that emerges from this eros tells us something fundamental about who we are, something that only the novel can say. At a time when both education and leisure are increasingly ignoring the novel’s imperative to sit with ambiguity, complexity, and contingency, and as we are hurtling toward a bleak future of climate catastrophe and political instability, the novel is one of the last bastions of humanity even as it is quickly being eroded.
