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The Dressing Gown
A teenager and an older man, a drag queen and her trick, a dominant leatherman and a drugged masochist - what do they have in common? They have desires, needs and a magical dressing gown which is passed from person to person and, through a series of eight interconnected scenes, evokes pointed questions about violence, sexuality and, ultimately, the human condition.
Voice of the Old Wolf
Lucullus V. McWhorter met and befriended Yakama and Nez Perce warriors in 1903, forming deep relationships and accumulating facts, stories, and perspectives that would otherwise have been irretrievably lost. Adopted as an honorary member of the Yakama tribe and given the name Old Wolf, he served as a stirring spokesman for non-treaty bands and captured prominent Nez Perce voices in his classic Western histories, Yellow Wolf (1940) and Hear Me, My Chiefs! (1952). Originally published in 1996, Voice of the Old Wolf is the only biography of Lucullus V. McWhorter (1860-1944). Author Steven Ross Evans focused on the Yakima area rancher’s unique roles as Nez Perce tribal historian and collector of traditional lore to help fill a significant gap in the chronology of Nez Perce history--the post 1880s to the 1940s, and assembled numerous excellent photographs, many previously unpublished. This edition includes a new foreword describing the vast McWhorter collection held by Washington State University.
Report of the Clerk of the House from ...
Covers receipts and expenditures of appropriations and other funds.
Current Catalog
First multi-year cumulation covers six years: 1965-70.
Advances in Immunology
Advances in Immunology
Performing Postracialism
Blackface – instances in which non-Black persons temporarily darken their skin with make-up to impersonate Black people, usually for fun, and frequently in educational contexts – constitutes a postracialist pedagogy that propagates antiblack logics. In Performing Postracialism, Philip S.S. Howard examines instances of contemporary blackface in Canada and argues that it is more than a simple matter of racial (mis)representation. The book looks at the ostensible humour and dominant conversations around blackface, arguing that they are manifestations of the particular formations of antiblackness in the Canadian nation state and its educational institutions. It posits that the occurrence of ...
