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In 1878, in London, a woman served a prison sentence for deserting two of her children, a charge she denied. Almost nothing else is known of her life or that of her husband, a dealer in 'foreign birds and curiosities', who was himself a migrant. The two children vanished from the record. This is where Fleet begins, with elusive histories and lost voices. The title suggests imperial power, conquest, traffic in commodities (which in the nineteenth century included vast numbers of exotic birds). It is shadowed by other meanings: the fleeting glimpse and swift flight; floating memories, enigmatic and insistent. Judith Willson's second book of poems was written during years when migration and displacement have become central facts of the human condition. The collection works outwards from found text - historical documents, archive materials - into other places and times. In the silences of such records, their erasures and omissions, are stories that haunt our present.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
'Crossing the Mirror Line' explores doubleness; the unsettling symmetries or mirrored reflections, relationship between the viewer and what is viewed. Poems are concerned with looking, how we select and transform what is seen.
This book presents an ideal introduction to the full range of the works of Charlotte Smith, whose Romantic sensibility is an expression of a specifically female experience, from her influential sonnets and poems for children to extracts from her French Revolution poem.
Samuel Graves was born in England and emigrated to America about 1630. He settled in Lynn, Massachusetts. He had three sons - Thomas, Mark, and Samuel - all born in England between 1620 and 1630.
Margaret Tait (1918–1999) was a pioneering filmmaker for whom words and images made the world real. 'In a documentary', she wrote, real things 'lose their reality... and there's no poetry in that. In poetry, something else happens.' If film, for Tait, was a poetic medium, her poems are works of craft and observation that are generous and independent in their vision of the world, poems that make seeing happen. Sarah Neely, Professor in the Department of Theatre, Film and Television Studies at the University of Glasgow, draws on Tait's three poetry collections, her book of short stories, her magazine articles and unpublished notebooks to make available for the first time a collection of the full range of Tait's writing. Her introduction discusses Tait as filmmaker and writer in the context of mid-twentieth-century Scottish culture, and a comprehensive list of bibliographic and film resources provides an indispensible guide for further exploration.
Victorian Poetry in Context offers a lively and accessible introduction to the diverse range of poetry written in the Victorian period. Considering such issues as reform and protest, gender, science and belief this book sets out the social and cultural contexts for the poetry of a fast-changing era. Sections on Victorian poetics, form and Victorian voices introduce the key literary contexts of poetry's production, and poetic innovations of the period such as the dramatic monologue are highlighted . At the heart of the book is a focus on the importance of attentive close reading, with original readings offered of well-known texts alongside those that have recently received renewed attention within scholarship. The book also offers an overview of critical approaches to several key texts and discussion of how Victorian poetry has remained influential in the twentieth and twenty-first centuries. Introducing texts, contexts and criticism, this is a lively and up-to-date resource for anyone studying Victorian poetry.
Winner of the 2005 Outstanding Book Award presented by the Organization for the Study of Communication, Language, and Gender (OSCLG) This study of battered women living in a shelter offers a rhetorical analysis of survivors' personal theologies. Author Carol L. Winkelmann holds that while it is virtually ignored in the domestic violence literature, the Christian heritage of many battered women plays a significant, if complicated, role in their language, thoughts, and lives. The women's religious faith serves not only to sustain them through periods of profound suffering, but also to develop solidarity with other culturally-different women in the shelter. Designed to assist women to greater i...
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.