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While many baby boomers are downsizing to a simpler retirement lifestyle, photographer and writer Judy Blankenship and her husband Michael Jenkins took a more challenging leap in deciding to build a house on the side of a mountain in southern Ecuador. They now live half the year in Cañar, an indigenous community they came to know in the early nineties when Blankenship taught photography there. They are the only extranjeros (outsiders) in this homely, chilly town at 10,100 feet, where every afternoon a spectacular mass of clouds rolls up from the river valley below and envelopes the town. In this absorbing memoir, Blankenship tells the interwoven stories of building their house in the clouds...
In this book, Blankenship combines her sensitively observed photographs with an inviting text to tell the story of the most recent year she and her husband Michael spent living and working among the people of Canar."--Jacket.
A collection of lullabies and other poems and songs about night and sleep by English and American authors.
"Anna Maria Gasteazoro (1950-1993) was a Salvadoran opposition leader and renowned prisoner of conscience. In her memoirs, Tell Mother I'm in Paradise, she recounts her trajectory from a privileged Catholic upbringing in El Salvador, with stints at school abroad and early jobs, to her increasing commitment to political work after witnessing the violence and corpses in the streets of San Salvador early in the civil war, to clandestine organizing against the brutal military junta. Her inspiring and, at times, dramatic story culminates in three years as a political prisoner of conscience and then release and exile to Mexico. Readers get a sense of the upper-class milieu of well-connected parent...
While many baby boomers are downsizing to a simpler retirement lifestyle, photographer and writer Judy Blankenship and her husband Michael Jenkins took a more challenging leap in deciding to build a house on the side of a mountain in southern Ecuador. They now live half the year in Cañar, an indigenous community they came to know in the early nineties when Blankenship taught photography there. They are the only extranjeros (outsiders) in this homely, chilly town at 10,100 feet, where every afternoon a spectacular mass of clouds rolls up from the river valley below and envelopes the town. In this absorbing memoir, Blankenship tells the interwoven stories of building their house in the clouds...
For more than 30 years, Yoga Journal has been helping readers achieve the balance and well-being they seek in their everyday lives. With every issue,Yoga Journal strives to inform and empower readers to make lifestyle choices that are healthy for their bodies and minds. We are dedicated to providing in-depth, thoughtful editorial on topics such as yoga, food, nutrition, fitness, wellness, travel, and fashion and beauty.
Once isolated from the modern world in the heights of the Andean mountains, the indigenous communities of Ecuador now send migrants to New York City as readily as they celebrate festivals whose roots reach back to the pre-Columbian past. Fascinated by this blending of old and new and eager to make a record of traditional customs and rituals before they disappear entirely, photographer-journalist Judy Blankenship spent several years in Cañar, Ecuador, photographing the local people in their daily lives and conducting photography workshops to enable them to preserve their own visions of their culture. In this engaging book, Blankenship combines her sensitively observed photographs with an inv...
The edit and re-issue of this book is dedicated to James H. Simon, a dedicated genealogist. My sincere thanks go to him for the information he compiled before the age of computers. His work was compiled over many years of research using only 3x5 index cards, scribbled notes, and then transferred to paper on a typewriter. I can only imagine how difficult this task was to complete in 1987. Simon's research has been treasured by amateur genealogists, and used as the foundation of many family trees. This edit and re-issue of his book promotes James Simon's original stated goal for developing his book. "I hope I can influence others to get going on their family tree. The longer one puts it off, the harder it will be to find answers. Every day more and more of our past is lost, either through the loss of irreplaceable records or through the deaths of the people who "lived" the information genealogists seek." Thank you James Simon...
Who uses "skeeter hawk," "snake doctor," and "dragonfly" to refer to the same insect? Who says "gum band" instead of "rubber band"? The answers can be found in the Linguistic Atlas of the Middle and South Atlantic States (LAMSAS), the largest single survey of regional and social differences in spoken American English. It covers the region from New York state to northern Florida and from the coastline to the borders of Ohio and Kentucky. Through interviews with nearly twelve hundred people conducted during the 1930s and 1940s, the LAMSAS mapped regional variations in vocabulary, grammar, and pronunciation at a time when population movements were more limited than they are today, thus providin...
This book questions the reliance on melodrama and spectacle in social performances and cultural productions by and about migrants from Mexico and Central America to the United States. Focusing on archetypal characters with nineteenth-century roots that recur in the twentieth- and twenty-first centuries – heroic saviors, saintly mothers and struggling fathers, martyred children and rebellious youth – it shows how theater practitioners, filmmakers, visual artists, advocates, activists, journalists, and others who want to help migrants often create migrant melodramas, performances that depict their heroes as virtuous victims at the mercy of evil villains. In order to gain respect for the hu...