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"Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. [...] To an increasing extent the law is present on screen, and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media."--Back cover.
Downtown Canada is a collection of essays that addresses Canada as an urban place. The contributors focus their attention on the writing of Canada's cities and call attention to the centrality of the city in Canadian literature.
This is a stunning overview of the entire oeuvre of the contemporary art duo, Young & Giroux. Daniel Young and Christian Giroux have been making art together for nearly ten years. Their sculpture, public art and film installations are the product of an ongoing conversation concerning mid-century modernity, and the production of space and the built environment. This first in-depth monograph provides a career overview as well as an exploration of the duo's most emblematic project, Beta Boole - sculptures involving IKEA furniture. The term Boole comes from the 3D computer modelling operation of adding and subtracting simple forms to generate more complex ones. These pieces of furniture provide both a recognizable and vernacular set of domestic forms, which perversely realize the Modernist goal of universal design through the machinations of globalization.
In Faking Death Penny Cousineau-Levine examines the work of over 120 Canadian photographers, revealing important aspects of Canadian identity and imagination. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is elsewhere, a doubling and duality that also occurs in Canadian literature, film and political life. Subverting the documentary tradition and other stylistic idioms for their own distinctive ends, Canadian photographers exhibit an ambivalent preoccupation with death and dying, bondage, and entrapment. Cousineau-Levine argues that this is characteristically a faked death that expresses a collective Canadian wish for a symbolic passage to national maturity. The book includes 16 colour reproductions and 150 duotones by artists such as Raymonde April, Jeff Wall, Lynne Cohen, Charles Gagnon, Evergon, Michel Lambeth, Thaddeus Holownia, Geoffrey James, Genevi ve Cadieux, Shelley Niro, Diana Thorneycroft, Jin-me Yoon, Ian Wallace, and Ken Lum. This work provides a visual introduction to one of Canada's most vibrant and internationally recognized artistic media.
The Last Word is a snapshot of the next generation of Canadian poets, the poets who will be taught in schoolsNvoices reflecting the '90s and a new type of writing sensibility. The anthology brings together 51 poets from across Canada, reaching into different regional, ethnic, sexual and social groups. This varied and volatile collection pushes the notion of an anthology to its limits, like a startling Polaroid. Proceeds from the sale of The Last Word will go to Frontier College, in support of literacy, programs across the country.
Investigation into how a shared narrative of law and cinema produces ways of collectively remembering mass violence in postcolonial India.
"This definitive anthology focuses on the 70s and 80s--a time when women made a big and noisy impact on society -- and provides readers with insight into the profound effects that feminism and women's work have had on contemporary culture. Full of sass and insight, this essential collection is part survey, part critical discourse, and part reference book."--Pub. desc.
The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica...
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