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Domicile
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Slow Pressure
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MATERIAL WITNESS
The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica...
Pick Up!
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Domicile
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Living Earth – Field Notes from Dark Ecology Project 2014 – 2016
This publication is a chronicle of Dark Ecology, a collaborative project between Sonic Acts and Norwegian curator Hilde Methi, held from 2014 to 2016 in different places around Norway and Russia. The project included research trips to the Barents Region: from Kirkenes and Svanvik in Norway, to Nikel, Zapolyarny and Murmansk in Russia. Inspired by Timothy Morton’s concept of ‘dark ecology’ and his philosophy of ‘ecology without Nature’, this publication rethinks the relationship between nature and art. Through a wide range of contributions, it addresses contemporary critical thought around the consequences of the Anthropocene, while also documenting and presenting the artistic work commissioned for Dark Ecology.
The Nuclear Culture Source Book
The Nuclear Culture Source Book serves as an excellent resource and introduction to nuclear culture as one of the most prominent themes within contemporary art and society, exploring the diverse ways in which post-Fukushima society has influenced artistic and cultural production. The book brings together a wide-ranging collection of material from artists and writers working within the scope of nuclear culture internationally, including works by renowned practitioners such as Lise Autogena, Thomson & Craighead, Crowe & Rawlinson, David Mabb, Katsuhiro Miyamoto, Kota Takeuchi and Chim-Pom. Building on four years of research into nuclear culture by the book's editor, Ele Carpenter, The Nuclear ...
Screening Nostalgia
Through a series of detailed visual analyses of popular films, the author demonstrates that the visual creation of 'pastness' does not necessarily sever our connection to history as is commonly claimed, but can yield new insights into the relationship between the present and the past.
Postcards from the Anthropocene.
This book includes various responses to the geopolitical conditions of our tangent times through collections of visual materials and theoretical explorations with critical positionings. The book expands on the Anthropocene theory by exploring its relations with the aesthetic concerns in contemporary representations through their geopolitical ramifications. We conceptualize postcards as documentary space-time snapshots, which convey complex assemblages of dynamic, non-linear, unpredictable, ad-hoc networks between interdependent and transcalar actors in deep time. The postcards we assemble raise questions about the ethical and political challenges of the dominant modes of technoscientific knowledge production, modes that are constituted through existing power relationships, subject positions, and differences, and that perpetuate current inequalities. They catalyse speculative and creative geopolitical imaginaries and collective subjectivities that recalibrate existing value systems and indicate alternatives.
Evidentiary Realism
"Evidentiary Realism aims to articulate a particular form of realism in art that portrays and reveals evidence from complex social systems. ...Evidentiary Realism focuses on artworks that prioritize formal aspects of visual language and mediums; diverging from journalism and reportage, they strive to provoke visual pleasure and emotional responses. The evidence is presented through photography, film, drawing, painting, and sculpture, with strong references to art history. In particular, these artists also theoretically articulate the aesthetic, social and documentary functions of their mediums in relation to the subject matter they investigate"--Page 1.
