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Scholarly interpretations of the collapse of communism and developments thereafter have tended to be primarily concerned with people's need to rid themselves of the communist system, of their past. The expectations, dreams, and hopes that ordinary Eastern Europeans had when they took to the streets in 1989, and have had ever since, have therefore been overlooked - and our understanding of the changes in post-communist Europe has remained incomplete. Focusing primarily on five key areas, such as the heritage of 1989 revolutions, ambivalence, disillusionment, individualism, and collective identities, this book explores the expectations and goals that ordinary Eastern Europeans had during the 1989 revolutions and the decade thereafter, and also the problems and disappointments they encountered in the course of the transformation. The analysis is based on extensive interviews with university students and young intellectuals in the Czech Republic, Eastern Germany and Estonia in the 1990s, which in themselves have considerable value as historical documents.
This collection of essays examines the unprecedented reach, magnitude and complexity of global challenges—political, economic, technological, social and environmental. It advocates fundamental changes in theory, research, public policy, and institutions, and advances new thinking on global leadership, human security, human-centered economics, and human rights. The book also proposes measures to break down the barriers between academic disciplines and between research and policy-making, and reconciles the objective facts of science with the subjective truths of the arts and human values. It replaces mechanistic analytic thinking with integrated knowledge, bridging the divide between abstract theory and the living complexity of social reality.
This volume addresses the prominent, and in many ways highly similar, role that historical fiction has played in the formation of the two neighbouring 'young nations', Finland and Estonia. It gives a multi-sided overview of the function of the historical novel during different periods of Finnish and Estonian history from the 1800s until the present day, and it provides detailed close-readings of selected authors and literary trends in their social, political and cultural contexts. This book addresses nineteenth-century 'fictional foundations', historical fiction of the new nation states in the interwar period as well as post-Second World War Soviet Estonian novels and modern historiographic metafiction.
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What can Finland’s greatest and supposedly least translatable novel tell us about translation and world literature?
"Pidä leukasi pystyssä, jos haluat tulla arvostetuksi miesten maailmassa." Kirjailijoiden kuningattaren elämässä oli loiston lisäksi suurta tragediaa. On aika kertoa hänen tarinansa. Kirjailijoiden kuningatar, lukijoiden rakastama Lohja-sarjan luoja, vahva nainen joka pyöritti kustantajia mielensä mukaan. Eeva Joenpellon elämään mahtui säihkettä ja tunnustuksia mutta myös suurta tragediaa: menetyksiä, pettymyksiä, riitoja ja panettelua. Vahvan naisen osa 1900-luvun Suomessa ei ollut aina helppo, ei myöskään kirjallisissa piireissä. Helena Ruuska kertoo Joenpellon elämän lapsuuden peltomaisemista Sammatista Helsingin seurapiireihin ja vanhuuden yksinäisiin päiviin. FT Helena Ruuska on tietokirjailija, äidinkielenopettaja, kriitikko ja Suomen tietokirjailijat ry:n varapuheenjohtaja. Ruuskan teos Marja-Liisa Vartio - Kuin linnun kirkaisu herätti ihastusta 2012.
This book outlines an innovative approach to the study of literature called pragmapoetics, a philosophy of poetic utterances. The book posits that studies are as much a branch of linguistics as they are of the philosophy of language and mind, and considers the poetic self-referential function a profound feature of life and intentionality. As a structuralist thinker, the author is drawn towards graphical definitions for their greater elucidative power. This collection contains three sections: “General Poetics,” “Pragmapoetics,” and “Estonian and Comparative Poetics,” consisting of nineteen of the author’s works from 1996 up to 2022, which best represent his approach.
This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg...