Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Social Life of Fluids
British Victorians were obsessed with fluids—with their scarcity and with their omnipresence. By the mid-nineteenth century, hundreds of thousands of citizens regularly petitioned the government to provide running water and adequate sewerage, while scientists and journalists fretted over the circulation of bodily fluids. In The Social Life of Fluids Jules Law traces the fantasies of power and anxieties of identity precipitated by these developments as they found their way into the plotting and rhetoric of the Victorian novel. Analyzing the expression of scientific understanding and the technological manipulation of fluids—blood, breast milk, and water—in six Victorian novels (by Charle...
The Rhetoric of Empiricism
Empiricism favors the visual over the verbal, the literal over the rhetorical, the static over the temporal: This is the standard charge leveled by literary theorists and writers. It is, Jules David Law demonstrates, remarkably misguided. His ambitious and challenging book explores the interplay of language and visual perception at the heart of empiricism. A re-evaluation of the British empiricist tradition from the perspective of contemporary literary theory, it also offers a sustained challenge to theory itself. In failing to grasp the issues confronting early empiricist writers or to be fully aware of their rhetorical strategies, Law says, theory has defined itself needlessly in opposition to empiricism. -- Description from http://www.booktopia.com.au (April 19, 2012).
The Boundaries of Fiction
Focusing on canonical works by Daniel Defoe, Henry Fielding, Laurence Sterne, and others, this book explains the relationship between British fiction and historical writing when both were struggling to attain status and authority. History was at once powerful and vulnerable in the empiricist climate of seventeenth- and eighteenth-century England, suspect because of its reliance on testimony, yet essential if empiricism were ever to move beyond natural philosophy. The Boundaries of Fiction shows how, in this time of historiographical instability, the British novel exploited analogies to history. Titles incorporating the term ?history,? pseudo-editors presenting pseudo-documentary ?evidence,? ...
Reading Cultures
Molly Abel Travis unites reader theory with an analysis of historical conditions and various cultural contexts in this discussion of the reading and reception of twentieth-century literature in the United States. Travis moves beyond such provisional conclusions as "the text produces the reader" or "the reader produces the text" and considers the ways twentieth-century readers and texts attempt to constitute and appropriate each other at particular cultural moments and according to specific psychosocial exigencies. She uses the overarching concept of the reader in and out of the text both to differentiate the reader implied by the text from the actual reader and to discuss such in-and-out mov...
Feeling in Theory
Because emotion is assumed to depend on subjectivity, the "death of the subject" described in recent years by theorists such as Derrida, de Man, and Deleuze would also seem to mean the death of feeling. This revolutionary work transforms the burgeoning interdisciplinary debate on emotion by suggesting, instead, a positive relation between the "death of the subject" and the very existence of emotion. Reading the writings of Derrida and de Man--theorists often seen as emotionally contradictory and cold--Terada finds grounds for construing emotion as nonsubjective. This project offers fresh interpretations of deconstruction's most important texts, and of Continental and Anglo-American philosophers from Descartes to Deleuze and Dennett. At the same time, it revitalizes poststructuralist theory by deploying its methodologies in a new field, the philosophy of emotion, to reach a startling conclusion: if we really were subjects, we would have no emotions at all. Engaging debates in philosophy, literary criticism, psychology, and cognitive science from a poststructuralist and deconstructive perspective, Terada's work is essential for the renewal of critical thought in our day.
The Uncertain Sciences
This sweeping inquiry into the present condition of the human sciences addresses the central questions: What sort of knowledge do the human sciences claim to be offering? To what extent can that knowledge be called scientific? and What do we mean by "scientific" in such a context? In this wide-ranging book, one of the most esteemed cultural historians of our time turns his attention to major questions about human experience and various attempts to understand it "scientifically." Mazlish considers the achievements, failings, and possibilities of the human sciences--a domain that he broadly defines to include the social sciences, literature, psychology, and hermeneutic studies. In a rich and o...
Surface and Depth
None
Style and the Nineteenth-century British Critic
Publishing venues for writers multiplied at midcentury, establishing a new stylistic norm for criticism - one that affirmed style as the manifestation of English discipline and objectivity. The figure of the professional critic soon subsumed the authority of the polyglot intellectual, and the later decades of the nineteenth century brought about a debate on aesthetics and criticism that set ideals of Saxon-rooted 'virile' style against more culturally inclusive theories of expression."--BOOK JACKET.
A Companion to Thomas Hardy
Through original essays from a distinguished team of international scholars and Hardy specialists, A Companion to Thomas Hardy provides a unique, one-volume resource, which encompasses all aspects of Hardy's major novels, short stories, and poetry Informed by the latest in scholarly, critical, and theoretical debates from some of the world's leading Hardy scholars Reveals groundbreaking insights through examinations of Hardy’s major novels, short stories, poetry, and drama Explores Hardy's work in the context of the major intellectual and socio-cultural currents of his time and assesses his legacy for subsequent writers
