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A lively history of French opera in its cultural and historical context by one of France's leading musicologists.
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Robert Storey's lively and gracefully written study of Pierrot is the first scholarly history of this fascinating popular figure. Unlike previous studies of commedia dell'arte characters; this book focuses as much on Pierrot as a literary metaphor and mask as on the roles and dimensions of his stage character. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The public understanding of law is gleaned from the cultural representation of justice which, in turn, reflects popular culture. Movies, caricatures, portrayal of trials by media or crime fiction shape the image of justice. However these representations play an important role in the legal system itself through the representation of truth as conveyed by litigating parties in their arguments. Studying how justice is represented in society is thus interesting for citizens who want to understand the popular culture but also for lawyers who want to understand theirs clients' expectations. This book explores in a multidisciplinary way the aspects of those representations of justice in their various forms in popular culture and in economics.
Opéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en vaudevilles, that were a feature of the theatres held at the seasonal Parisian fairs of St Germain and St Laurent, and of the Comédie-Italienne. The similarity of the entertainments provided by the C...
Actual cases from the book: • Boomerang unexpectedly returned and smacked you in the face? This is America, not Australia. We got you covered! • Train whistled at you and caused you tinnitus? It's a disability, file a claim! • Horse emptying his bowels on your lap? That's an "impact" and if the horse can't pay, its owner surely can! • Bought a pair of binoculars? Looked into the sun and hurt your eyes? Mislabelled, it's as clear as daylight! • Stole a gun and shot yourself? Worry not, you're technically unsophisticated and under aged too! • Are you too short to fly a Boeing 747? It's a handicap. Also a discrimination and let's see if we can shrink that bird! • Got a permanent e...