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THE UNFORGOTTEN
Stories in The Unforgotten, ranging from a novella to flash narratives of merely a paragraph, are populated by a variety of characters. Among them are Luisa, a beloved childhood servant in Peru, who disappears inexplicably. A child writes that her mom has a lover, a grownup word for boyfriend. Gertrude’s lifelong collection of sophisticated words eventually fades into dementia. Charles, a grandfather in a white nightgown and bobbing nightcap chases a bull away from his wife’s beloved rose garden. A mother tells her child a story of a joyous snail with a will to live. Adrianna, now a grandmother, reminiscences about a college year in Paris with her best friend who later committed suicide. Henry, who works in a research lab, befriends a rat he names Eloise.
Home and its Dislocations in Nineteenth-Century France
The nineteenth century witnessed an unprecedented social restructuring that disrupted traditional notions of people and place, country and city, private and public spheres. The break with the old order and the entry into the industrial age was most dramatically played out in France, with the growth of a new urban middle class under the July monarchy and the rebuilding of Paris by Haussmann under the Second Empire. The personal, immediate, and radical effects of these changes produced an altered conception of the meaning of home and a homeland. Focusing primarily on mid-nineteenth-century France, these essays, by noted literary critics, offer fascinating new accounts of the relationship between the social history of home and homelessness and the imaginative expressions of the age. This probing interdisciplinary approach, combining theoretical sophistication with historical detail, addresses the fundamental importance of class and gender to the modern history of homelessness. Its provocative readings of well-known texts provide a model of cultural studies at its best and most serious.
Encyclopedia of Nineteenth-Century Photography
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Radical History Review: Volume 69
Radical History Review presents innovative scholarship and commentary that looks critically at the past and its history from a non-sectarian left perspective.
Sequence (con)sequence
The work in this volume, by sixteen of the most exciting artists working today, from Hope Sandrow to John Baldessari, explores modes of sequencing and multiple imagery that challenge the modernist tradition and its legacy of narrativity. Illustrated.
The Mythical Mediterranean Sea
This volume brings together papers presented at the 7th Annual International Conference co-organised by Florence University of the Arts, Italy, and Stony Brook University (SUNY), USA. The contributors explored the many connections that define the Mediterranean Sea as a symbol of tradition and modernity, and examined it as a region capable of congregating, synergizing and transforming cultures. Their writings focus on the relationship between the cultural, social, and historical environment of Mare Nostrum to pinpoint the elements defining its identity. Hence, particular emphasis is placed on the role and relevance of the Mediterranean as the first beacon of multi-ethnicity which may be seen ...
Constructing Postmodernism
Brian McHale provides a series of readings of a wide range of postmodernist fiction, from Eco's Foucault's Pendulum to the works of cyberpunk science-fiction, relating the works to aspects of postmodern popular culture.
Colonialist Photography
Colonialist Photography is an absorbing collection of essays and photographs exploring the relationship between photography and European and American colonialism. The book is packed with well over a hundred captivating images, ranging from the first experiments with photography as a documentary medium up to the decolonization of many regions after World War II. Reinforcing a broad range of Western assumptions and prejudices, Eleanor M. Hight and Gary D. Sampson argue that such images often assisted in the construction of a colonial culture.
Capturing Japan in Nineteenth-century New England Photography Collections
"Expanding the canon of photographic history, Capturing Japan in Nineteenth Century New England Photography Collections focuses on six New Englanders, whose travel and photograph collecting influenced the flowering of Japonism in late nineteenth-century Boston. The book also explores the history of Japanese photography and its main themes. The first history of its kind, this study illuminates the ways photographs, seeming conveyors of fact, imprint mental images and suppositions on their viewers"--
Photography and Sculpture
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph’s place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
