Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Performance Works Within the Estate of Benjamin Patterson
Performance Works Within the Estate of Benjamin Patterson: A Catalogue Raisonné inventories the breadth of items collected by the artist over time, including documentary materials from his practice and professional engagements. All material within this text is sourced directly from Patterson's personal archive and from posthumous donations by museums, curators, gallerists, writers, photographers, performers, and educators-each contribution aiding with the goal to comprenehsively account for Patterson's legacy. Assistants and aids began to organize and systematize Patterson's personal archive in the twenty-first century for personal safekeeping and in anticipation for his landmark retrospective exhibition in 2010 in Houston, Texas. Subsequently, itemizing, organizing, locating, and preserving archival materials continues via Dr. Barbro Patterson, administrator of the Estate of Benjamin Patterson, since 2016.
Charting the Afrofuturist Imaginary in African American Art
This book examines Afrofuturism in African American art, focusing specifically on images of black women and how those images expand the discourse of representation in visual culture of the United States. This volume defines a visual language of Afrofuturism that includes materiality, temporality, and black liberation. Elizabeth Hamilton discusses the visual progenitors of Afrofuturism. In the artworks of Pierre Bennu, Sanford Biggers, Alison Saar, Mequitta Ahuja, Robert Pruitt, Renee Cox, Dawolu Jabari Anderson, Alma Thomas, and Harriet Powers, the fantastic narratives of Afrofuturism are uncovered through in-depth case studies. These case studies engage with Afrofuturism as a black feminist visual theory that helps to unburden the images of black women from the stereotypical visual scripts that are so common in contemporary visual culture of the United States. The book will be of interest to scholars working in art history, visual studies, American literature, gender studies, popular culture, and African American studies.
Out of Paper
A dynamic look at how artists used paper to radically redefine the relationship between the body and its surroundings, and to propose new conceptions of ecology From sketches created inside pants pockets to paper-strewn performances that took cues from protests and riots, the work on paper in the 1960s acted as a mobile, flexible connective tissue between the body and the world around it. In this book, Katie Anania reveals how artists Carolee Schneemann, William Anastasi, Richard Tuttle, Robert Morris, and Charles White harnessed this historically intimate medium during a period in which Americans were becoming urgently concerned with identity, consumer culture, the overreach of state power,...
Suzanne Jackson: Five Decades
Painter of vibrant assemblages and champion of African American art, Suzanne Jackson receives her first monograph Published on the occasion of the first full-career survey of Savannah-based artist Suzanne Jackson (born 1944) at the Telfair Museums in Savannah, Georgia, Five Decades illuminates a career that spans more than 50 years, across painting, drawing, theatre, costume design, dance, printmaking and sculpture. The book presents a unique selection of Jackson's artworks and explicates their relationships to identity, community, the natural world and the human body. In addition to featuring new photo documentation and archival images, the book includes essays that contextualize Jackson's practice through the lenses of ecowomanism, materiality, an ethics of care and African American retentions. Five Decades complicates canonical and exclusionary narratives and timelines, opening up Jackson's work to new generations of artists, thinkers and doers to find inspiration in the singular contributions one person can make to collective culture.
Julia Margaret Cameron's Women
Profiles the life and work of a nineteenth century pioneer of photography and offers a selection of her portraits of women
Jim Cogswell
This heavily illustrated book contains a full photographic documentation of the installation, as well as the artefacts that inspired it and preliminary studies, accompanied by essays and reactions to the work by artists, scholars and museum professionals. Cosmogony is typically defined as the scientific field of study dedicated to the exploration of the solar system's origins, but Cogswell embraces a broader use of the term, rooted in the kinds of human storytelling that shape our ethics, morals, and holistic understandings. With contributions by Gunalan Nadarajan, Terry Wilfong, Kathryn Huss, MaryAnn Wilkinson, Claire Zimmerman, Karl Daubman, Daniel Herwitz and Raymond Silverman.
Reprint
None
