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The fascinating history of the Telfair, featuring 114 representative pieces of fine and decorative art from its vast collection, all superbly reproduced and thoroughly annotated.
Comprising two essays, this book features the Telfair's collection of work by and about Gibran, the largest holding in the United States, which spans Gibran's career from his first major exhibition at photographer Frederick Holland Day's studio in Boston in 1904 to works created during the last years of his life.
Painter of vibrant assemblages and champion of African American art, Suzanne Jackson receives her first monograph Published on the occasion of the first full-career survey of Savannah-based artist Suzanne Jackson (born 1944) at the Telfair Museums in Savannah, Georgia, Five Decades illuminates a career that spans more than 50 years, across painting, drawing, theatre, costume design, dance, printmaking and sculpture. The book presents a unique selection of Jackson's artworks and explicates their relationships to identity, community, the natural world and the human body. In addition to featuring new photo documentation and archival images, the book includes essays that contextualize Jackson's practice through the lenses of ecowomanism, materiality, an ethics of care and African American retentions. Five Decades complicates canonical and exclusionary narratives and timelines, opening up Jackson's work to new generations of artists, thinkers and doers to find inspiration in the singular contributions one person can make to collective culture.
Marking the forty-fifth anniversary of the desegregation of Savannah, this book celebrates the civil rights photographs of Frederick C. Baldwin. First exhibited at the Telfair in 1983 under the title, " . . . We Ain't What We Used to Be": Photographs by Frederick C. Baldwin, these historically and aesthetically important images have recently been exhibited again, accompanied by an enhanced and expanded catalogue. Baldwin's images chronicle crucial events in the civil rights movement from voter registration drives to meetings in the longshoreman's hall to public marches and demonstrations, culminating in a visit to Savannah by Martin Luther King Jr. Baldwin depicted the local Ballot Bus; the ...
Before Alan Brown wrote Haunted Places in the American South, only the locals knew what was lurking in these locations. Slamming doors, eerie lights, and Confederate soldiers' ghosts kept some folks too scared to talk with outsiders. Above Peavey Melody Music in Meridian, Mississippi, children may be heard giggling and running down an abandoned hallway that turns icy cold. At the Jameson Inn in Crestview, Florida, an apparition appears on surveillance tapes after filling the lobby with sweet-smelling cigar smoke. Seldom told and rarely—if ever—printed stories such as these join tales from haunted inns, mansions, forests, ravines, and prisons to create Haunted Places in the American South...
The essential resource from Martha Stewart, with expert advice and lessons on gardening and making the most of your spectacular blooms Martha Stewart's lifelong love of flowers began at a young age, as she dug in and planted alongside her father in their family garden, growing healthy, beautiful blooms, every year. The indispensable lessons she learned then--and those she has since picked up from master gardeners--form the best practices she applies to her voluminous flower gardens today. For the first time, she compiles the wisdom of a lifetime spent gardening into a practical yet inspired book. Learn how and when to plant, nurture, and at the perfect time, cut from your garden. With lush blooms in hand, discover how to build stunning arrangements. Accompanied by beautiful photographs of displays in Martha's home, bursting with ideas, and covering every step from seed to vase, Martha's Flowers is a must-have handbook for flower gardeners and enthusiasts of all skill levels.
A richly illustrated, accessibly written book with a variety of perspectives on slavery, emancipation, and black life in Savannah from the city's founding to the early twentieth century. Written by leading historians of Savannah, Georgia, and the South, it includes a mix of thematic essays focusing on individual people, events, and places.
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wid...
By the end of the eighteenth century, classicism, which arose out of Europe's fascination with ancient Greece and Rome, had also left its mark on America. This study of the classical style in the fine and decorative arts shows the extent to which it influenced the material culture of Savannah, Georgia, from 1800 to 1840. More than 130 examples of objects owned in Savannah in this period are illustrated, described, and discussed. The objects include oil paintings and watercolors, clocks, musical instruments, jewelry, sculptures, engravings, bank notes, needlework, china, silver, brass, lighting fixtures, architectural elements, and furniture. Page Talbott presents an overview of the origins o...
This catalogue for the Telfair Museum of Art’s exhibition Picturing Savannah: The Art of Christopher A. D. Murphy provides valuable information on Murphy’s life and career, documenting four decades of his finest work in all media: oils, watercolors, etchings, and pencil and charcoal drawings. Born in 1902, Murphy was one of Savannah’s most accomplished and beloved artists. After studying in New York City at the Art Students League, he returned to his native Savannah. He taught privately at the Telfair Academy of Arts and Sciences and at Armstrong College (now Armstrong Atlantic State University). In 1929, he helped found the Association of Georgia Artists and in 1947 he collaborated wi...