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Publikacja jest kompleksowym opracowaniem praktycznych aspektów obowiązywania przepisów o ochronie danych osobowych, w tym w szczególności ogólnego rozporządzenia o ochronie danych. Struktura książki została podzielona na zagadnienia ogólne, odpowiadające zasadniczym kwestiom unormowanym w przepisach RODO, oraz zagadnienia szczegółowe, obejmujące wybrane obszary działalności administratora, mające swoje specyficzne regulacje na styku RODO i krajowych aktów prawnych (kodeksu pracy, prawa telekomunikacyjnego, ustawy o świadczeniu usług drogą elektroniczną itp.). Walorem publikacji jest jej praktyczny charakter i odniesienie do najbardziej aktualnych poglądów, wytycznyc...
This book covers basic and advanced aspects in the field of Topological Matter. The chapters are based on the lectures presented during the Topological Matter School 2017. It provides graduate level content introducing the basic concepts of the field, including an introductory session on group theory and topological classification of matter. Different topological phases such as Weyls semi-metals, Majoranas fermions and topological superconductivity are also covered. A review chapter on the major experimental achievements in the field is also provided. The book is suitable not only for master, graduate and young postdoctoral researchers, but also to senior scientists who want to acquaint themselves with the subject.
Tadeusz Kantor, who lived from 1915 to1990, was one of Poland's most important artists: he painted, created, directed, mounted happenings and founded a key independent theater in Krakow. Along with his own works on paper, objects, photographs and films, The Impossible Theater brings us his descendents, artists of the younger generation, represented by installations, performances and projects. Like Kantor, they cast themselves in roles that call for mediation in the social world.
Seit 2003 wird in der Zacheta Galerie alle zwei Jahre der renommierte Views Prize verliehen, ein Preis für junge polnische Kunst. Die mit der Auszeichnung verbundene Ausstellung in der polnischen Nationalgalerie verschafft der gegenwärtigen Kunstszene des Landes internationale Aufmerksamkeit. Common Affairs stellt in Berlin eine Auswahl aktueller Positionen von Nominierten oder Gewinnern des Views Prize aus den vergangenen 15 Jahren vor. Die Rückschau ist darauf ausgerichtet, eine Aktualisierung der künstlerischen Praktiken der jüngsten Vergangenheit vorzunehmen. Dieses Update ermöglicht es, die interessantesten Phänomene und dringendsten Probleme, mit denen sich die Künstler auseina...
Seit dem ersten IGF-Gipfel der Vereinten Nationen 2006 in Athen dient das Treffen Entscheidungstragern als Forum und Informationsquelle - v.a., was die Nutzung neuer Technologien- einschliesslich rechtlicher und politischer Konsequenzen - angeht. Die Diskussionsbeitrage der 6. Tagung in Polen zum Thema "Internet und neue Technologien" sind in diesem Band zusammengefasst.
Where did the term ?amplifying nature? come from? What does it mean that light oscillation, gravity and water circulation are materials of architecture? Where in the history of Polish architecture do we look for planetary design? Can a building be as dynamic as a climate? What has the roof got us used to and can we get unused to it?0The book that accompanies the Amplifying Nature exhibition, presented with the participation of CENTRALA ? Malgorzata Kuciewicz and Simone De Iacobis, with the collaboration of Iza Tarasewicz and Jacek Damiecki at the 16th International Architecture Exhibition ? La Biennale di Venezia, uses examples of local Warsaw projects, proposing a reconfiguration of the narratives on architecture-in-nature and nature-in-architecture. In its optics, a planetary scale is necessary for architectural analysis: the Earth in a geological-astronomical system as a system supporting life as we know it.00Exhibition: Polish Pavilion, 16th Architecture Biennale, Venice, Italy (26.05. - 25.11.2018).
She-Documentalists - Polish Women Photographers of the 20th Century is one of the possible reconstructions, or rather constructions, of alternative maps of documentary photography in Poland. Instead of following a well-worn track of famous names, established canons, and clear generic divisions, we are taking the risk of building a new, uncertain space based, above all, on that which has been repressed. Such marginalised, or repressed, phenomena include, for instance, the Polish school of photojournalism, the, still too one-sidedly revised, concept of 'homeland photography', or the, repressed like the worst trauma, aesthetic of socialist realism, and the subjects marginalised by history that are women photographers. -- from back cover.