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Julian Rosefeldt
Domestic life, domestic interiors.
Julian Rosefeldt
The thirteen part film installation Manifesto, produced by film and video artist Julian Rosefeldt is an homage to the explosive poetic power of key artist manifestos from the last 100 years.Australian actor Cate Blanchett plays 13 different characters who
Julian Rosefeldt
Julian Rosefeldt (b. 1965) is one of the most famous contemporary film artists. His installation Midwest shows a dismal container terminal. Car tyres, crushed cigarette packets and the mattresses of a homeless man mark the setting before visitors reach a run-down drive-in cinema, where Rosefeldt's film The Swap is presented: an action film parody about tough men, cars, the flow of money and goods and organized crime. The present volume documents the installation and delves deeper into its highly political contents.
American Night
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Asylum
Indian flower sellers, Turkish trash collectors, Chinese cooks, and Thai prostitutes--Munich-born artist Julian Rosefeldt confronts the viewers of his video project, Asylum, with stereotypical European views of foreigners and ethnic minorities. In his seductively opulent tableaux vivants, he exaggerates and parodies popular conceptions about roles and professions, while embedding his protagonists in strangely surreal scenes and ritual contexts. This publication features photographs taken during the shooting of the video, film stills from Rosefeldt's nine Asylumfilms, probing essays, and an interview with the artist.
Deep Gold
The black and white film 'Deep Gold' is a homage to a scene from Luis Buñuel's surrealistic classic L'Âge d'Or, 1930. Julian Rosefeldt (born 1965 in Munich, lives and works in Berlin) transposes the events In a nightclub in the Berlin of the 1920s, in whose large-town surroundings different worlds interact. Thus the film is an extension of the relentless linguistic and religious criticism of the Spanish surrealist: the challenge of a repressive sexual morality, the resolution of the given gender and the appeal to an emancipation that never precludes the power of female sexuality. Rosefeldt draws parallels between the economic situation of the 1920s and today and questions the cultural consequences of the sexual revolution. The linguistic leaps between times and spaces always say something superhuman. The book with texts by Dorothée Brill and Angela Stief documents the film with numerous filmstills. Exhibition: Landesgalerie Linz, Austria (12.11.2015 - 24.04.2016).
Julian Rosefeldt
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Acrobatic Modernism from the Avant-Garde to Prehistory
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from sla...
