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The Projective Cast
Robin Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. Anyone reviewing the history of architectural theory, Robin Evans observes, would have to conclude that architects do not produce geometry, but rather consume it. In this long-awaited book, completed shortly before its author's death, Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. He shows that geometry ...
Before the Bauhaus
Publisher Description
The City of Collective Memory
Describes the visual and mental models by which urban environment has been recognized, depicted and planned. This analysis draws from geography, critical theory, architecture, literature and painting to identify these maps of the city - as a work of art, as panorama and as spectacle.
Constructing and Reconstructing History in Twentieth-Century German Architecture
The battle in architecture between the internationalist voices of modernism and the localized resistance, which favored traditional technologies and regional precedents, reflected in microcosm the violent and complex histories of twentieth-century Germany. The chapters in this book span the years from 1902 to 1991 and interrogate the ways in which architecture constructed and reconstructed these histories, with a primary focus on those voices that were opposed to the dogmas of modernism. All translated into English for the first time, the chapters reflect the changing eras and contours of the German nation. They were written in the German Empire (1871–1918); the Weimar Republic (1918–1933); the Third Reich (1933–1945); the Federal Republic of Germany and the German Democratic Republic (GDR), which both existed from 1949 to 1990; and, finally, the reunified Germany that came into being in 1990 when the former GDR and the reunified Berlin joined the Federal Republic of Germany. The chapters in this book were originally published as a special issue of Art in Translation.
A Genealogy of Tropical Architecture
A Genealogy of Tropical Architecture traces the origins of tropical architecture to nineteenth century British colonial architectural knowledge and practices. It uncovers how systematic knowledge and practices on building and environmental technologies in the tropics were linked to military technologies, medical theories and sanitary practices, and were manifested in colonial building types such as military barracks, hospitals and housing. It also explores the various ways these colonial knowledge and practices shaped post-war techno scientific research and education in climatic design and modern tropical architecture. Drawing on the interdisciplinary scholarships on postcolonial studies, sc...
Individuality and Modernity in Berlin
Moritz Föllmer traces the history of individuality in Berlin from the late 1920s to the construction of the Berlin Wall in August 1961. The demand to be recognised as an individual was central to metropolitan society, as were the spectres of risk, isolation and loss of agency. This was true under all five regimes of the period, through economic depression, war, occupation and reconstruction. The quest for individuality could put democracy under pressure, as in the Weimar years, and could be satisfied by a dictatorship, as was the case in the Third Reich. It was only in the course of the 1950s, when liberal democracy was able to offer superior opportunities for consumerism, that individuality finally claimed the mantle. Individuality and Modernity in Berlin proposes a fresh perspective on twentieth-century Berlin that will engage readers with an interest in the German metropolis as well as European urban history more broadly.
The Political Philosophy of Zionism
Zionism emerged at the end of the nineteenth century in response to a rise in anti-Semitism in Europe and to the crisis of modern Jewish identity. This novel, national revolution aimed to unite a scattered community defined mainly by shared texts and literary tradition, into a vibrant political entity destined for the Holy Land. As this remarkable book demonstrates, however, Zionism was about much more than a national political ideology and practice. By tracing its origins in the context of a European history of ideas, and by considering the writings of key Jewish and Hebrew writers and thinkers from the nineteenth and twentieth centuries, the book offers an entirely new philosophical perspective on Zionism as a unique movement based on intellectual boldness and belief in human action. In counter-distinction to the studies of history and ideology that dominate the field, this book also offers a new way of reflecting upon contemporary Israeli politics.
Art Books
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Gunnar Asplund's Gothenburg
In the west coast port city of Gothenburg, Sweden, the architect Gunnar Asplund built a modest extension to an old courthouse on the main square (1934–36). Judged today to be one of the finest works of modern architecture, the courthouse extension was immediately the object of a negative newspaper campaign led by one of the most noted editors of the day, Torgny Segerstedt. Famous for his determined opposition to National Socialism, he also took a principled stand against the undermining of urban tradition in Gothenburg. Gothenburg’s problems with modern public architecture, though clamorous and publicized throughout Sweden, were by no means unique. In Gunnar Asplund’s Gothenburg, Nicholas Adams places Asplund’s building in the wider context of public architecture between the wars, setting the originality and sensitivity of Asplund’s conception against the political and architectural struggles of the 1930s. Today, looking at the building in the broadest of contexts, we can appreciate the richness of this exquisite work of architecture. This book recaptures the complex magic of its creation and the fascinating controversy of its completed form.
Vernacular Modernism
Vernacular Modernism advocates a rethinking of the importance of the vernacular as part of the modernist discourse of place, from art to literature, from architectural to social practice.
