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I AM MEMORY by Jumoke Verissimo Published November 2008 ISBN: 9789780880651 Format: 195 x 135mm Extent: 64 pages Illustrations: 4 nos. POETRY A themed collection of poems arranged in four movements and centered on the broad theme of remembrance, expressed mainly through emotions of loss, dispossession and despair. I am memory highlights the human condition as remembered in lucid moments, aided with a measured control of line and verse by a poet of promising abilities. -Addresses universal issues and issues specific to Nigerian realities. -Powerful and evocative poems in readable language. -Contains four memorable illustrations that precede each movement. -A slim volume packed with poignant p...
An interdisciplinary study of the Asaba massacre, re-examining Nigerian history and enriching the understanding of post-conflict trauma and memory construction.
“A Nigerian bildungsroman featuring Dantala, a street kid thrust calamitously into the arms of a gentle sheikh, who thereafter faces Islamic extremism.” —O, The Oprah Magazine, “10 Titles to Pick Up Now” Winner of the 2017 Betty Trask Prize A Finalist for the Nigeria Prize for Literature Nominated for 2017 Hurston/Wright Legacy Award An Indies Introduce Selection An Amazon Best Book of the Month in Literature & Fiction Longlisted for the 2016 Etisalat Prize for Literature In far northwestern Nigeria, Dantala lives among a gang of street boys who sleep under a kuka tree. During the election, the boys are paid by the Small Party to cause trouble. When their attempt to burn down the o...
Àdùké lives with her grandparents in Ibidan and Grandma is her favourite person in the world. She loves when Grandma sings to her, and gives her treats from her stall. But one day, Àdùké comes home from school and can't find Grandma anywhere! Àdùké doesn't understand why Grandma can't come back, but then her aunt Yímiká tells her a secret. Can she really see Grandma if she squints up at the moon?
Ja, No, Man is an eerily familiar portrayal of the life of an ordinary white South African growing up during Apartheid-era South Africa. Told with extraordinary humour and self-awareness, Poplak's story brings his gradual understanding of the difference between his country and the rest of the world vividly to life. A startlingly original memoir that veers sharply from the quotidian to the bizarre and back again, Ja, No, Man is an enlightening, darkly hilarious, and, at times, disturbing read.
This issue of Matatu offers cutting-edge studies of contemporary Nigerian literature, a selection of short fiction and poetry, and a range of essays on various themes of political, artistic, socio-linguistic, and sociological interest. Contributions on theatre focus on the fool as dramatic character and on the feminist theatre of exclusion (Tracie Uto-Ezeajugh). Several essays examine the poetry of Hope Eghagha and the Delta writer Tanure Ojaide. Studies of the prose fiction of Chinua Achebe, Tayo Olafioye, Uwem Akpan, and Chimamanda Adichie are complemented by a searching exposé of the exploitation of Ayi Kwei Armah on the part of the metropolitan publishing world and by a recent interview...
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The Nigerian beauty pageant industry positions itself as working to symbolically restore the public face of the nation while seeking to materially shift the private lives of affiliates on the ground.
An exploration of empathy and unity - featuring Elise Gravel's signature quirky monsters! Everybody is unique and different. But we are all more similar than we think. Just like you: Everybody has fears. Everybody has moments of joy . . . and moments of sadness. Everybody makes mistakes . . . and can fix them. And, just like you, everybody needs to feel safe and valued. From beloved children's author Elise Gravel comes a reassuring picture book, perfect for trying times.