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FICAP-1 Proceedings
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A Hitchcock Reader
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock
Hitchcock
This new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho.
Daphne
A love story and a literary mystery - a true story of Daphne du Maurier 'A divine treat for lovers of literary mysteries' The Times 'Compulsively readable ... elegant and absorbing ... Daphne takes the reader on a journey of undiluted pleasure' Spectator It is 1957. As Daphne du Maurier wanders alone through her remote mansion on the Cornish coast, she is haunted by thoughts of her failing marriage and the legendary heroine of her most famous novel, Rebecca, who now seems close at hand. Seeking distraction, she becomes fascinated by Branwell, the reprobate brother of the Brontë sisters, and begins a correspondence with the enigmatic scholar Alex Symington in which truth and fiction combine. Meanwhile, in present day London, a lonely young woman struggles with her thesis on du Maurier and the Brontës and finds herself retreating from her distant husband into a fifty-year-old literary mystery...
Herald and Presbyter
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Hitchcock and Twentieth-century Cinema
John Orr looks at the work, influences, legacy and style of perhaps cinema's most famous director, Alfred Hitchcock.
The Real Justine
The beautiful younger woman who appeared so unexpectedly, so gloriously, in Michael Coolidge’s life one night—a seemingly chance pick-up at a quiet neighborhood bar—vanished just as suddenly a few days later, into thin air it seemed, leaving him dazed and bewildered. Months later he chances upon Justine on a village street, locked in a violent quarrel with a scary looking brute—a day later, that man is found dead in a seedy motel and Justine has disappeared again, leaving behind only a hasty plea for help. Michael’s efforts to locate her, or to find out something more about her elusive past, yield only further mystery, a confusing web of lies, manipulations and false leads. Who is the real Justine? Downtown art world sophisticate, or small town innocent? Victim or predator? Someone he can trust, or someone he should actually fear?Stephen Amidon’s spellbinding psychological thriller, The Real Justine, confounds the reader at every turn, constantly causing us to revise our assumptions. It’s a fascinating study in character and a relentless, ingeniously head-spinning story—all deliciously unresolved until the very last page.
