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Ramsey
In 1848, farmer Peter Ramsey sold part of his land to the Paterson and Ramapo Railroad for a right-of-way and a station. The Ramsey family had been local landholders since the 1740s, and the railroad timetables called the stop Ramsey's Station. A town developed around the station, and Main Street, which bisected the railroad tracks, became a bustling hub of commerce that supported a growing population. Hotels, general and specialty stores, blacksmithshops, and other businesses offered goods and services to the residents of this center of rural life. Ramsey's Station became the shipping point for strawberries grown throughout the area, making it the nation's strawberry capital until the late 1800s. The fields are gone, but photographs and stories of that era are included in Ramsey, many published here for the first time. Discover Ramsey's past and the pride felt by generations who have called Ramsey their home.
The Black Diaspora of the Americas
The forced migration of Africans to the Americas through the trnasatlantic slave trade created primary centres of settlement in the Caribbean, Brazil and the United States - the cornerstones of the New World and the black Americas. However, unlike Brazil and the US, the Caribbean did not (and still does not) have the uniformity of a national framework. Instead, the region presents differing situations and social experiences born of the varying colonial systems from which they were developed. Using the Caribbean experience as the focus, Christine Chivallon examins the transatlantic slave trade and slavery as founding events in the identification of a black diaspora experience. The exploration...
House documents
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Rastafari and the Arts
Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.
Senate Journal
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