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A Companion to Indian Cinema
A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a r...
5th World Congress on Disaster Management: Volume II
World Congress on Disaster Management (WCDM) brings researchers, policy makers and practitioners from around the world in the same platform to discuss various challenging issues of disaster risk management, enhance understanding of risks and advance actions for reducing risks and building resilience to disasters. The fifth WCDM deliberates on three critical issues that pose the most serious challenges as well as hold the best possible promise of building resilience to disasters. These are Technology, Finance, and Capacity. WCDM has emerged as the largest global conference on disaster management outside the UN system. The fifth WCDM was attended by more than 2500 scientists, professionals, policy makers and practitioners all around the world despite the prevalence of pandemic.
Better Kungfu
Secrets of the most devastating of the Eastern martial arts! Kungfu is one of the most spectacular forms of martial arts in the world. Developed by the Chinese, it is the art of open-handed fighting, employing a series of movements, attacks and counter-attacks, parries and blocks without the use of weapons. Kung Fu's skill and effectiveness is well-known and is practiced all over the world by those who want to benefit by this supreme art. Here is a step by step guide to learning Kung Fu for self-defense, speed, sensitivity and endurance. This book provides you with your own complete course, with action illustrations to explain every position, parry, counter-attack, block etc., with special tips for all stances and movements.
Fractals, Wavelets, and their Applications
Fractals and wavelets are emerging areas of mathematics with many common factors which can be used to develop new technologies. This volume contains the selected contributions from the lectures and plenary and invited talks given at the International Workshop and Conference on Fractals and Wavelets held at Rajagiri School of Engineering and Technology, India from November 9-12, 2013. Written by experts, the contributions hope to inspire and motivate researchers working in this area. They provide more insight into the areas of fractals, self similarity, iterated function systems, wavelets and the applications of both fractals and wavelets. This volume will be useful for the beginners as well as experts in the fields of fractals and wavelets.
The Yearly Digest
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BollySwar: 1981 - 1990
BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 6 chronicles the Hindi film music of the decade between 1981 and 1990. This volume catalogues more than 1000 films and 7000 songs, involving more than 1000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic informat...
Screen World
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Wide Angle
Why does Indian Cinema look different, sound different and is so lengthy? Why are the dialogues so long winding? Why are our costumes so gaudy and garish? Why do we have so many songs in our films? Why do our actors burst into songs and dances for no reason? Are we a society that is exactly like our Cinema? Why are films directed by Saytyajit Ray great and not so great by some other Directors. Have you ever called your spouse ‘Sajni or Sajna’ or ‘Saiyan’ or ‘Balam’ ? Perhaps no, then why does our Cinema use these words? Why does Hindi language Cinema use words or the language that no one uses in real life? Why is it that a Cinema that is almost part of life for millions of Indians and now even foreigners has been dubbed mindless and silly? How many language Cinemas does Indian Cinema comprise of ? Do people who dismiss Indian Cinema as ‘Bollywood’ even understand that 30% of our feature films at least belong to the globally termed ‘art-house cinema class’. Find all answers in the book.
Government Gazette
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