You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
From the contents: Charmian BRINSON: Autobiography in exile: the reflections of women refugees from Nazism in British exile, 1933-1945. - Alexander STEPHAN: Hetz- und Greuelpropaganda. Die Uberwachung der deutschen Exilschriftsteller in Grossbritannien durch das Auswartige Amt. - Jorg THUNECKE: Die Isle of Man-Lagerzeitungen The Camp und The Onchan Pioneer: Kultur im Ausnahmezustand."
This new volume in the series Yearbook of the Research Centre for German and Austrian Exile Studies, entitled Exile and Gender: Literature and the Press, edited by Charmian Brinson and Andrea Hammel, focuses on the work of exiled women writers and journalists as well as on gendered representations in the writing of both male and female exiled writers. The contributions are in English or German. The seventeen contributions set out to both celebrate and critically examine the concepts of gender and sexuality in exile in a wide range of texts by well-known and lesser known authors, and throw light on many different aspects of gendered authorship and gendered relations. Our volume also looks at ...
Assessing the impact of fin-de-siècle Jewish culture on subsequent developments in literature and culture, this book is the first to consider the historical trajectory of Austrian-Jewish writing across the 20th century. It examines how Vienna, the city that stood at the center of Jewish life in the Austrian Empire and later the Austrian nation, assumed a special significance in the imaginations of Jewish writers as a space and an idea. The author focuses on the special relationship between Austrian-Jewish writers and the city to reveal a century-long pattern of living in tension with the city, experiencing simultaneously acceptance and exclusion, feeling “unheimlich heimisch” (eerily at home) in Vienna.
Explores the significance of particular British institutions which offered support and encouragement to those who had fled from Germany and Austria, and analyzes the Thomas Mann Newsletter, a refugee publication. Deals with individual refugees who were important contributors to the story of exile in Britain, and focuses on the Austrian aspect of exile in Britain, with emphasis on literature intended for Austrian children and adolescents and on the importance of the Austrian Center. Concludes with an introduction to the exile holdings at the Institute of Germanic Studies. Annotation copyrighted by Book News Inc., Portland, OR
This book is the first comparative study of the novels written by five German-speaking women - Anna Gmeyner, Selma Kahn, Hilde Spiel, Martina Wied and Hermynia Zur Mühlen - who had to flee National Socialist Central Europe. Gmeyner, Spiel, Wied and Zur Mühlen found refuge in Britain and thus added - together with male colleagues such as Stefan Zweig and Robert Neumann - an important but rarely investigated new dimension to the British literary landscape. The aim of this study is to reassess the women refugee writers' narrative strategies and integrate their work within feminist literary studies. The author investigates the five writers' narrativisation of everyday life, used to subvert the dominant discourse, and their portrayal of the intersection between class, racial and gender oppression. She also shows their innovative ways of picturing the gendered tension between the experiences of exile and exile as a modernist metaphor as well as their search for ways to refute the Nationalist Socialist rewriting of history. The book situates the novels within the theoretical discussions surrounding exile studies, social history and women's writing.
This book is the first survey in English of literature and film in Nazi Germany. It treats not only works sympathetic to National Socialism, but also works of the so-called Inner Emigration, of the resistance, and those written in prisons and concentration camps. Much of this literature is not easily accessible in German, and not available at all in English translation. Historical and ideological context is provided in chapters covering influential works of the time such as Alfred Rosenberg's The Myth of the Twentieth Century and Houston Stewart Chamberlain's The Foundations of the Nineteenth Century. Schoeps also analyzes Nazi cultural policies, fascist histories of literature, and the role...
Nineteenth-century Germany witnessed many debates on the nature of the nation, both before and after unification in 1871. Bourgeois authors engaged closely with questions of class and national identity, and resourcefully sought to influence the collective destiny of the German people through works of popular fiction and cultural history. Typical of this trend was the realist writer Gustav Freytag (1816-1895), the most widely read novelist of his era. Innovatively exploring all of Freytag's works (poetry, drama, novels, history, journalism, biography and literary theory), Schofield examines how his popular writing systematically re-imagined the social structures of German society, embedding political agendas within contemporary stories of private lives. Connecting the aesthetics of Realism with the political aims of the bourgeoisie, the study both reassesses Freytag's position within the German literary canon and re-evaluates received opinion on the socio-political function of Realism in German culture. Benedict Schofield is Lecturer in German at King's College London.
This text contains fresh articles about a much neglected genre--fiction from and about the Jewish ghetto.
The essays contained in this volume were originally delivered as papers to a conference on the German-language broadcasting of the BBC, held in London in 2002. For over sixty years, the BBC German Service was Britain's most authoritative voice to the German-speaking world, representing a virtual paradigm of British cultural and political attitudes towards Germany and Austria - and helping to define their perceptions of Britain and the British. Despite the BBC's enormous cultural standing and influence, however, this volume is the first to evaluate the Corporation's German-language broadcasting since the BBC German Service was closed down in 1999. The essays fall into three broad categories: German-language broadcasting during the Second World War, broadcasting to Germany and Austria during the Cold War, and finally a series of personal accounts from former employees of the Service. The volume will be of interest to scholars and students of broadcasting (including media studies) as well as those involved in German Studies and in German and Austrian Exile Studies.
This work explores the intersection of the material and poetic economies in Soll und Haben and Der Nachsommer. It demonstrates how the main poetical strategies of the two novels, dichotomization (Soll und Haben) and total economization (Der Nachsommer), are defined by economic themes, structures, and forms. The «economopoetics» of the novels, i.e. the multitude of connections between economics and aesthetics, pervades the texts on three different levels: as content, as representational model, and as literary strategy. Although very different in their treatment of topics relating to business and economics, both novels are driven by narratives parsed with economic expression. The diverging p...