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Common Blood
COMMON BLOOD sets the experiences of an extended family of post-Colonial English and German immigrants against the backdrop of more than eighty years of Charlestons tumultuous nineteenth-century history. For the reader who appreciates that history does indeed repeat itself, and who finds social, cultural, and political history fascinating in its ability to provide a vision of both the past and the future, the family stories narrated here are eminently illustrative of the intersection of individual lives with the historical context of their times. The cultural heritage delineated in COMMON BLOOD interweaves European and American strands of [primarily] nineteenth-century history through an exa...
Kafka's Novels
Kafka's three novels, to be understood as an ever more intricate portrayal of the inner life of one central character (Henry James's 'centre of consciousness'), each reflecting the problems of their self-critical creator, are tantamount to dreams. The hieroglyphic, pictorial language in which they are written is the symbolic language in which dreams and thoughts on the edge of sleep are visualized. Not for nothing did Kafka define his writing as a matter of fantasizing with whole orchestras of [free] associations. Written in a deliberately enhanced hypnagogic state, these novels embody the alternative logic of dreams, with the emphasis on chains of association and verbal bridges between word...
Constructive Destruction
The study presents a thorough investigation of Kafka's aphoristic writings, examining them in terms of the history of the aphorism in Germany, and paying special regard to Kafka's contemporary Austrian aphorists. Emphasis is placed on the role of the aphorism in the development of Kafka's literary creativity. Aphoristic discourse presented itself to Kafka as a possible manner of resolving specific conflicts in his life and art, above all the crisis of communication the individuality of the self. Aphoristic structure provides the transitional link between Kafka´s early perspectivistic narratives and the parables of the later period.
Nexus
'Nexus' publishes innovative research in German Jewish studies and serves as a venue for introducing new directions in the field, analyzing the development and definition of the field itself, and considering the place of German Jewish studies within the disciplines of both German studies and Jewish studies.
Kafka and Dostoyevsky
This book evaluates the importance of Dostoyevsky's life and imaginative fiction as a stimulus to Kafka's own writing. Dostoyevskian material is situated within detailed readings of particular works. The principle sources discussed are The Double, Notes from Underground, Crime and Punishment, and Dostoyevsky's (auto) biography. It is argued that Kafka's use of Dostoyevsky is driven by antagonism as much as by admiration.
Nietzsche and Jewish Culture
Friedrich Nietzsche occupies a contradictory position in the history of ideas: he came up with the concept of a master race, yet an eminent Jewish scholar like Martin Buber translated his Also sprach Zarathustra into Polish and remained in a lifelong intellectual dialogue with Nietzsche. Sigmund Freud admired his intellectual courage and was not at all reluctant to admit that Nietzsche had anticipated many of his basic ideas. This unique collection of essays explores the reciprocal relationship between Nietzsche and Jewish culture. It is organized in two parts: the first examines Nietzsche's attitudes towards Jews and Judaism; the second Nietzsche's influence on Jewish intellectuals as diverse and as famous as Franz Kafka, Martin Buber, Franz Rosenzweig and Sigmund Freud. Each carefully selected essay explores one aspect of Nietzsche's relation to Judaism and German intellectual history, from Heinrich Heine to Nazism.
Kafka's Rhetoric
In the first book to study Franz Kafka from the perspective of modern rhetorical theory, Clayton Koelb explores such questions as how Kafka understood the reading process, how he thematized the problematic of reading, and how his highly distinctive style relates to what Koelb describes as the "passion of reading."
Kafka's Jewish Languages
After Franz Kafka died in 1924, his novels and short stories were published in ways that downplayed both their author's roots in Prague and his engagement with Jewish tradition and language, so as to secure their place in the German literary canon. Now, nearly a century after Kafka began to create his fictions, Germany, Israel, and the Czech Republic lay claim to his legacy. Kafka's Jewish Languages brings Kafka's stature as a specifically Jewish writer into focus. David Suchoff explores the Yiddish and modern Hebrew that inspired Kafka's vision of tradition. Citing the Jewish sources crucial to the development of Kafka's style, the book demonstrates the intimate relationship between the aut...
Masters of Two Arts
Carlo Testa demonstrates that while pairings of famed directors and writers are commonplace in modern Italian cinema, the study of the interrelation between Italian cinema and European literature has been almost completely neglected in film scholarship.
