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K.S. Radhakrishnan
Focus on Indian sculptor K.S. Radhakrishnan's work of the last 20 years.
Kafka's Novels
Kafka's three novels, to be understood as an ever more intricate portrayal of the inner life of one central character (Henry James's 'centre of consciousness'), each reflecting the problems of their self-critical creator, are tantamount to dreams. The hieroglyphic, pictorial language in which they are written is the symbolic language in which dreams and thoughts on the edge of sleep are visualized. Not for nothing did Kafka define his writing as a matter of fantasizing with whole orchestras of [free] associations. Written in a deliberately enhanced hypnagogic state, these novels embody the alternative logic of dreams, with the emphasis on chains of association and verbal bridges between word...
Hearings
None
The Salish Language Family
In this pioneering study Paul D. Kroeber examines the history of an array of important syntactic constructions in the Salish language family. This group of some twenty-three languages, centrally located in the Northwest Coast and Plateau Regions, is noted for its intriguing differences from European languages, including the possible irrelevance of a noun/verb distinction to grammatical structure and the existence of distinctive systems of articles, which also often function as marks of subordination. ΓΈ Kroeber draws on and analyzes data from a wide range of textual and other sources. Centering his detailed investigation on patterns of subordination and focusing, he situates these against the broader background of Salish syntax, examines their interrelationships, and reconstructs their historical development. The result is a study that significantly enhances understanding of the structure and history of Salish. As important, Kroeber?s critical command of sources and well-considered historical proposals are exemplary, setting a methodological standard for Americanist scholarship.
Art of the 20th Century
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
