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‘Kalki’ R. Krishnamurthy, one of the pioneering giants of the Tamil press in the tumultuous times of the nationalist movement, was a versatile and prolific writer, inscribing the urgencies of his time in his fiction. This collection brings together the best of Kalki’s short stories, which contain some of his most colourful and enduring characters and themes of Tamil popular fiction of the nineteen thirties and forties. There is in these stories the heady urgency of the freedom struggle, the piquant humour of the parodied Tamil gothic and devastating social satire. In her sensitive translations, Gowri Ramnarayan has succeeded in capturing the nuances of the gently mordant wit that made Kalki’s stories the highlight of the magazines they were originally published in, creating for themselves a dedicated following that flourishes undiminished to this day. Coinciding with the centenary of Kalki’s birth, this volume is a well-deserved tribute to a writer whose breadth of vision and genius imagined and served a new India.
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Ponniyin Selvan is the pinnacle of Tamil Historical Novels. The way the Cholas ruled the country in a straight forward manner, with Love, Valor and Piousness has been brought to our eyes through this book in a grandeur and realistic fashion by the Legend writer Kalki. In today's, internet dependent world, we just wanted to take this fantastic novel to the kids and youngsters through this initiative of Nila Comics. We are sure kids, youngsters and ardent readers of this Novel will like this.
Ponniyin Selvan the novel, deals with the life and times of Rajaraja Chozhan, set against the backdrop of tenth century peninsular India. It is the last of the three great novels, the other two being Parthiban Kanavu and Sivakamiyin Sabadam.
Bestselling author Gore Vidal joins the ranks of Penguin Classics. To satisfy a public that longs for a savior, Vidal's eponymous hero of KALKI, born and bred in America's Midwest, establishes himself in Nepal, puts out the word that he is the last incarnation of the god Vishnu, and predicts an imminent apocalypse meant to cleanse the planet.
Twelve Memorable Stories By The Legendary Wordsmith Of Modern Tamil. 'Kalki' R. Krishnamurthy, One Of The Pioneering Giants Of The Tamil Press In The Tumultuous Times Of The Nationalist Movement, Was A Versatile And Prolific Writer, Inscribing The Urgencies Of His Time In His Fiction. This Collection Brings Together The Best Of Kalki'S Short Stories, Which Contain Some Of The Most Colourful And Enduring Characters And Themes Of Tamil Popular Fiction Of The 1930S And '40S. There Is In These Stories The Heady Urgency Of The Freedom Struggle, The Piquant Humour Of The Parodied Tamil Gothic And Devastating Social Satire. In Her Sensitive Translations, Gowri Ramnarayan Has Succeeded In Capturing The Nuances Of The Gently Mordant Wit That Made Kalki'S Stories The Highlight Of The Magazines They Were Originally Published In, Creating For Themselves A Dedicated Following That Flourishes Undiminished To This Day. Coinciding With The Centenary Of Kalki'S Birth, This Volume Is A Well-Deserved Tribute To A Writer Whose Breadth Of Vision And Genius Imagined And Served A New India.
Poverty in India is intimately connected with caste, untouchability, colonialism and indentured servitude, inseparable from the international experience of slavery and race. Focusing on historical and modern practices, this book goes beyond traditional economic approaches to poverty and demonstrates its genesis in exclusion, isolation, domination and extraction resulting in the removal of human and economic rights. Examining cash and asset transfers, as well as the enhancement of women’s rights, primary health and education, it scrutinizes inadequacies in compensatory policies for redressing the balance. This is an original interdisciplinary contribution that offers bold domestic and international policies anchored in human radicalism to eradicate poverty.
As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?
An engineer by profession, Karthik Narayanan (1938) was born in Calcutta and had his early education in Tuticorin. He is an industrialist and heads companies that manufacture automobile components. He has occupied a number of important positions like the President of the Association of Indian Automobile Manufacturers, President of the Automobile Research Association of India, Chairman of the Southern Region of the Association of Indian Engineering Industry, Member of the Senate of the Annamalai University. Steeped in South Indian history, its arts and culture, KN is an avid reader of all the novels “Kalki” wrote, and is an accomplished player o of the percussion instrument the mridangam. KN is also an enthusiastic traveller, trekking in Himalayas being a favourite hobby. Married to Uma who is an accomplished translator of French and Tamil books and Managing Trustee of the SOS Children's Villages of India-Chatnath Homes and the Karna Prayag Trust, KN has a son Ramgopal, daughter Gayathri and a granddaughter Niveditha.