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Studies in historical geography and biblical historiography [electronic resource]
This book contains a collection of studies in Historical Geography and Biblical Historiography. It is presented to Professor Zecharia Kallai, one of the leading scholars of Historical Geography of the Bible and is concluded with a list of his publications.
Das Los Judas
In this book the origin and objects of the land description in Joshua 15 and its context are examined. Town lists and border descriptions are literarily, historiographically and theologically classified against the background of their relationships to Tetrateuch/Pentateuch/Hexateuch and the Deuteronomistic History. The first part deals with the text, context, and literary relationships of Joshua 15. The second part is devoted to the historical-geographical analysis of the area defined by the town list and border description of Joshua 15. In the third part the respective origins and objects of the successive phases in the history of the text are examined. All those who are dealing with Joshua 13-21 and the historiographical and theological meaning of land descriptions should read this thorough and encompassing study
Biocentrism and Modernism
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
Constructivism in Central Europe
The book tells the story of individual artists in Central Europe who believed in art's power to change the world; they imagined a collective of human beings living happily in a free society liberated of injustice and inequality.
The Book of Judges: The Art of Editing
Using a combination of literary theory and the tools of biblical criticism, this original and thought-provoking study investigates the book of Judges as an example of the art of editing in the Hebrew Bible. Judges is shown to have been composed in its parts, and as a whole, according to particular integrative principles. The study not only sheds new light on the redaction of Judges, but opens a new window on biblical historiography as a whole. Responding to calls in the scholarly literature for its translation from Hebrew, this publication makes Amit's fine study available to a wider audience.
The Struggle for Utopia
. Focusing on the difficult relationship between art and social change, Margolin brings important new insights to our understanding of the avant-garde's role in a period of great political complexity.
Happiness or Its Absence in Art
The concept of ‘happiness’ is central to most civilized cultures. This volume investigates the many ways in which Western art has visualized the concept from the early Middle Ages to the present. Employing different methodological approaches, the essays gathered here situate the concept of human happiness within discourses on gender, religion, intellectual life, politics and ‘New-Age’ culture. Operating as a cultural agent, art communicates the idea of happiness as both a physical and spiritual condition by exploiting specific formulae of representation. This volume combines art history, cultural analyses and intellectual studies in order to explore the complexities of iconographic programs that represent various forms of happiness, or its explicit absence, and to expose the implications embedded in the artistic works in question. Through innovative readings, the ten authors presented in this book survey different artistic and/or cultural paradigms and offer new interpretations of happiness or of its absence.
Exile and Social Thought
Embroiled in the political events surrounding World War I and the failed Hungarian revolutions of 1918-19, a number of intellectuals fled Hungary for Germany and Austria, where they essentially created Weimar culture. Among them were Georg Lukács, whose History and Class Consciousness recast Marxism and challenged even those who repudiated its politics; Bela Balázs, who pioneered film theory and collaborated with film-makers G. W. Pabst, Leni Riefenstahl, and Alexander Korda; László Moholy-Nagy, who codirected the Bauhaus during its heyday in the mid-1920s; and Karl Mannheim, whose Ideology and Utopia was the most widely discussed work of noncommunist social theory during the Weimar year...
