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. Focusing on the difficult relationship between art and social change, Margolin brings important new insights to our understanding of the avant-garde's role in a period of great political complexity.
Biographical note: Sascha Bru, Genth University, Belgium; Peter Nicholls, University of Sussex, UK.
Mavo were aJapanese group of artists active in Tokyo from 1923-1925.
"The book is a comparative study of the constructivist avant-garde artists in Central Europe, the Hungarian MA group in exile in Vienna, the Blok group in Warsaw, and the Czech Devětsil association of artists in Prague. The author examines the similarities and significant differences among them. Contrary to often-repeated theses, the study reveals that the artists unremittingly sought new formulations for an initial set of formal and theoretical issues. It also demonstrates that they persistently believed that their works of art prefigured a future socialist society. The long-awaited socialist states that came into being after World War II betrayed the artists"--
Revealing a vibrant and intertwined artistic scene in the Balkans On the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918–1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged ‘on the very edge’ between territorial and cultural, new and old, modern and traditional identities. With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in plu...
During World War II, the British military dropped several dozen parachutists from Palestine, including three women, behind enemy lines in Eastern Europe and the Balkans. These young soldiers, most of whom had fled Europe only a few years earlier, faced a double challenge: their British mission was to find pilots who had jettisoned over enemy territory and assist them in returning to Allied-occupied lands; their Zionist mission was to contact Jewish communities, assist them in rebuilding the local Zionist movement, and, when necessary, help their members escape from the Nazis. Seven of the parachutists lost their lives in this effort. In Perfect Heroes, an expanded and updated English adaptat...
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
What is an image? How can we describe the experience of looking at images, and how do they become meaningful to us? In what sense are images like or unlike propositions? Participants of the 33rd International Wittgenstein Symposium--philosophers as well as historians of art, science, and literature--provide many stimulating answers. Some of the contributions are dedicated to Wittgenstein’s thoughts on images while others testify to the important role notions coined or inspired by Wittgenstein--“seeing as”, “picture games” and the dichotomy of “saying and showing”--play in the field of picture theory today. This first volume of the Proceedings of the 2010 conference addresses readers interested in the history and theory of images, and in the philosophy of Wittgenstein.
The effort to go beyond given knowledge in different domains – artistic, scientific, political, metaphysical – is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the...
Russischsprachige Juden, die nach Deutschland oder Israel ausgewandert sind, leben in vielschichtigen sozialen Realitäten. Dazu gehört auch die Esskultur, die eine besondere Rolle für die Konstruktion von Identität spielen kann, wie Julia Bernstein zeigt. Ihre ethnografische Studie des Alltagslebens, von Lebensmitteln und Lebensmittelverpackungen bringt kulturelle, soziale und ökonomische Bedeutungen des früheren Lebens in der Sowjetunion und des gegenwärtigen Lebens in Israel und Deutschland zum Vorschein. Transnationale Bezüge, so stellt sich heraus, haben tragenden Anteil daran, die widersprüchlichen Lebenswirklichkeiten zu bewältigen.