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Beyond the Veil
Looking at the cultural responses to death and dying, this collection explores the emotional aspects that death provokes in humans, whether it is disgust, fear, awe, sadness, anger, or even joy. Whereas most studies of death and dying treat the subject from an objective viewpoint, the scholars in this collection recognize their inherent connection with death which allows for a new and more personal form of study. More broadly, this collection suggests a new paradigm in the study of death and dying.
Beyond the Veil
Looking at the cultural responses to death and dying, this collection explores the emotional aspects that death provokes in humans, whether it is disgust, fear, awe, sadness, anger, or even joy. Whereas most studies of death and dying treat the subject from an objective viewpoint, the scholars in this collection recognize their inherent connection with death which allows for a new and more personal form of study. More broadly, this collection suggests a new paradigm in the study of death and dying.
Best Works of Aubrey Beardsley
Rich selection of 170 boldly executed black-and-white illustrations ranging from illustrations for Laclos' Les Liaisons Dangereuses and Balzac's La Comedie Humaine to magazine cover designs, book plates, and more.
Never in Anger
Describes emotional patterning of the Utkuhikhalingmiut, a small group of Eskimos who live at the mouth of the Back River, in the context of their life as seen as lived by the author. Based on field work conducted between June 1963 and March 1965.
Death, Dying, Transcending
Every living thing must die, but only human beings know it. This knowledge can bring to the living, anxiety and despair or new richness and meaning. This volume explores the problems and possibilities of coping with this universal experience.
Waiting for Elijah
Waiting for Elijah is an intimate portrait of time-reckoning, syncretism, and proximity in one of the world’s most polarized landscapes, the Bosnian Field of Gacko. Centered on the shared harvest feast of Elijah’s Day, the once eagerly awaited pinnacle of the annual cycle, the book shows how the fractured postwar landscape beckoned the return of communal life that entails such waiting. This seemingly paradoxical situation—waiting to wait—becomes a starting point for a broader discussion on the complexity of time set between cosmology, nationalism, and embodied memories of proximity.
Salvation and Suicide
Praise for the first edition: "[This] ambitious and courageous book [is a] benchmark of theology by which questions about the meaningful history of the Peoples Temple may be measured." —Journal of the American Academy of Religion Re-issued in recognition of the 25th anniversary of the mass suicides at Jonestown, this revised edition of David Chidester's pathbreaking book features a new prologue that considers the meaning of the tragedy for a post-Waco, post-9/11 world. For Chidester, Jonestown recalls the American religious commitment to redemptive sacrifice, which for Jim Jones meant saving his followers from the evils of capitalist society. "Jonestown is ancient history," writes Chidester, but it does provide us with an opportunity "to reflect upon the strangeness of familiar . . . promises of redemption through sacrifice."
The Meaning of Death
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Machines for Making Gods
The Mormon faith may seem so different from aspirations to transcend the human through technological means that it is hard to imagine how these two concerns could even exist alongside one another, let alone serve together as the joint impetus for a social movement. Machines for Making Gods investigates the tensions between science and religion through which an imaginative group of young Mormons and ex-Mormons have found new ways of understanding the world. The Mormon Transhumanist Association (MTA) believes that God intended humanity to achieve Mormonism’s promise of theosis through imminent technological advances. Drawing on a nineteenth-century Mormon tradition of religious speculation t...
Death in Black and White
"Based on a foundation of cultural theory and scholarship, the author explores a variety of issues related to race, culture and death ritual practices by immersing himself in the rich narratives and sources of information gleaned from his in-depth interviews with funeral directors, corporate funeral home representatives, clergy and individuals who have recently lost a loved one. Additionally, he has observed numerous funeral and burial services and cemetery landscapes, and has examined federal and state public policies surrounding burial and disposal, as well as other forms of death-related discourse. Ultimately, the book describes how death rituals both manifest and reinforce different cultural identities, and suggests that perhaps, it is through the experience of death that we might find the most enduring possibilities for promoting greater cultural understanding by maintaining rather than eliminating such differences."--BOOK JACKET.
