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Day of the Dead
The Day of the Dead is the most important annual celebration in Oaxaca, Mexico. Skillfully combining textual information and photographic imagery, this book begins with a discussion of the people of Oaxaca, their way of life, and their way of looking at the world. It then takes the reader through the celebration from the preparations that can begin months in advance through to the private gatherings in homes and finally to the cemetery where the villagers celebrate together — both the living and the dead. The voices in the book are of those people who have participated in the Day of the Dead for as long as they can remember. There are no ghosts here. Only the souls of loved ones who have gone to the Village of the Dead and who are allowed to return once a year to be with their family. Very readable and beautifully illustrated, this book provides an extensive discussion of the people of Oaxaca, their way of life and their beliefs, which make the Day of the Dead logical and easily comprehensible.
Aesthetics in Performance
In various ways, the essays presented in this volume explore the structures and aesthetic possibilities of music, dance and dramatic representation in ritual and theatrical situations in a diversity of ethnographic contexts in Europe, the Americas, Africa and Asia. Each essay enters into a discussion of the "logic" of aesthetic processes exploring their social and political and symbolic import. The aim is above all to explore the way artistic and aesthetic practices in performance produce and structure experience.
Garden of the World
Garden of the World examines how overlapping waves of Chinese, Japanese, and Filipino immigrants fundamentally altered the agricultural economy and landscape of the Santa Clara Valley as well as white residents' ideas about race, gender, and what it meant to be an American family farmer.
The Little Old Lady Killer
The surprising true story of Mexico’s hunt, arrest, and conviction of its first female serial killer For three years, amid widespread public outrage, police in Mexico City struggled to uncover the identity of the killer responsible for the ghastly deaths of forty elderly women, many of whom had been strangled in their homes with a stethoscope by someone posing as a government nurse. When Juana Barraza Samperio, a female professional wrestler known as la Dama del Silencio (the Lady of Silence), was arrested—and eventually sentenced to 759 years in prison—for her crimes as the Mataviejitas (the little old lady killer), her case disrupted traditional narratives about gender, criminality, ...
San Jose's Japantown
"The Japanese started to arrive in San Jose, California, around 1890 in the Heinlenville area, which was once on the outskirts of the city. Many of the businesses that the Japanese opened would serve the needs of the growing Japanese population, who came to the Santa Clara Valley to take advantage of opportunities in the agricultural industry. Out of 46 Japantowns, only three remain in California. San Jose's Japantown is unique in that it is the only surviving Japantown that has remained in its original location. Today, San Jose's Japantown is a thriving and evolving mix of traditional and contemporary arts, culture and lifestyle."--Cover.
Mashi
In the spring of 1964, the Nankai Hawks of Japan’s Pacific League sent nineteen-year-old Masanori Murakami to the Class A Fresno Giants to improve his skills. To nearly everyone’s surprise, Murakami, known as Mashi, dominated the American hitters. With the San Francisco Giants caught in a close pennant race and desperate for a left-handed reliever, Masanori was called up to join the big league club, becoming the first Japanese player in the Major Leagues. Featuring pinpoint control, a devastating curveball, and a friendly smile, Mashi became the Giants’ top lefty reliever and one of the team’s most popular players—as well as a national hero in Japan. Not surprisingly, the Giants of...
Choice
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Consuelo Jimenez Underwood
Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified f...
Paideuma
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Our Faithful Departed
Awarded third place in theology by the Association of Catholic Publishers and third place in grief and bereavement by the Catholic Media Association. When someone we love dies, it’s difficult to look beyond our grief to understand that they are still with us. And yet we hear in the funeral liturgy that “life is changed not ended.” In Our Faithful Departed, University of Notre Dame theologian Leonard J. DeLorenzo shows us what this means and how we are called to remain faithful in our relationships with the dead. “Those whom we have known and loved in this life we have only known and loved partially, imperfectly,” DeLorenzo writes. “In heaven, what has been partial shall be made c...
