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Aboriginal Peoples and Forest Lands in Canada
Aboriginal people in Canada have long struggled to regain control over their traditional forest lands. Aboriginal Peoples and Forest Lands in Canada brings together the diverse perspectives of Aboriginals and non-Aboriginals to address the political, cultural, environmental, and economic implications of forest use. This book discusses the need for professionals working in forestry and conservation to understand the context of Aboriginal participation in resource management. It also addresses the importance of researching traditional knowledge and traditional land use and examines the development of co-management initiatives and joint ventures between government, forestry companies, and Aboriginal communities.
Salmon Run
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downstream
downstream: reimagining water brings together artists, writers, scientists, scholars, environmentalists, and activists who understand that our shared human need for clean water is crucial to building peace and good relationships with one another and the planet. This book explores the key roles that culture, arts, and the humanities play in supporting healthy water-based ecology and provides local, global, and Indigenous perspectives on water that help to guide our societies in a time of global warming. The contributions range from practical to visionary, and each of the four sections closes with a poem to encourage personal freedom along with collective care. This book contributes to the formation of an intergenerational, culturally inclusive, participatory water ethic. Such an ethic arises from intellectual courage, spiritual responsibilities, practical knowledge, and deep appreciation for human dependence on water for a meaningful quality of life. Downstream illuminates how water teaches us interdependence with other humans and living creatures, both near and far.
Material Cultures in Canada
Material Cultures in Canada presents the vibrant and diverse field of material culture studies in Canadian literary, artistic, and political contexts today. The first of its kind, this collection features sixteen essays by leading scholars in Canada, each of whom examines a different object of study, including the beaver, geraniums, comics, water, a musical playlist, and the human body. The book’s three sections focus, in turn, on objects that are persistently material, on things whose materiality blends into the immaterial, and on the materials of spaces. Contributors highlight some of the most exciting new developments in the field, such as the emergence of “new materialism,” affect ...
Mining Source Book
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Vanishing British Columbia
The old buildings and historic places of British Columbia form a kind of "roadside memory," a tangible link with stories of settlement, change, and abandonment that reflect the great themes of BC's history. Michael Kluckner began painting his personal map of the province in a watercolour sketchbook. In 1999, after he put a few of the sketches on his website, a network of correspondents emerged that eventually led him to the family letters, photo albums, and memories from a disappearing era of the province. Vanishing British Columbia is a record of these places and the stories they tell, presenting a compelling argument for stewardship of regional history in the face of urbanization and globalization.
Aboriginality
Following the success of First Invaders (Ronsdale, 2004), Alan Twigg turns his attention to First Nations writers, unearthing more than 300 books by more than 170 mostly unheralded British Columbia aboriginal authors. Taking the reader from residential schools to art galleries, this lively and unprecedented panorama of British Columbia includes trailblazer Pauline Johnson, political organizer George Manuel and Haida carver Bill Reid. Equally important, Aboriginality sheds new light on fascinating, lesser-known figures such as Chief William Sepass, and Howard Adams, to name only two. Nearly half the author profiles are women, including Marilyn Dumont, Lizette Hall and Heather Harris. Each author is presented in historical and chronological context, along with background material on aboriginal history, as well as rare photos, illustrations and a comprehensive bibliography. "Alan Twiggs Aboriginality is unprecedented and indispensable."--Howard White, publisher, Encyclopedia of British Columbia
Chaos in Boxes
Luciw crams the square peg of music theory into the round holes of Egyptian folklore, astronomy, numerology, babooshkas, poetry, diarrhea, and the long-lost Solfeggio matrix. "Chaos In Boxes" is a collection of experiments, theories, and observations regarding music theory-based ideas and their connections to other parts of the world.
Contact!Unload
This book is a call to action to responsibly address the sometimes difficult transition many soldiers face when returning to civilian life. It explores the development, performance, and reception of Contact Unload, a play that brings to life the personal stories of veterans returning home from deployment overseas. The play showcases an arts-based therapeutic approach to dealing with trauma. To bring Contact Unload to life, researchers in theatre and group counselling collaborated with military veterans through a series of workshops to create and perform the play. Based on the lives of military veterans, it depicts ways of overcoming stress injuries encountered during service. This action-bas...
Memorial
Matthew Arnold praised the Iliad for its 'nobility', as has everyone ever since -- but ancient critics praised it for its enargeia, its 'bright unbearable reality' (the word used when gods come to earth not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance. 'The Iliad is an oral poem. This translation presents it as an attempt - in the aftermath of the Trojan War - to remember people's names and lives without the use of writing. I hope it will have its own coherence as a series of memories and similes laid side by side: an antiphonal account of man in his world... compatible with the spirit of oral poetry, which was never stable but always adapting itself to a new audience, as if its language, unlike written language, was still alive and kicking.' - Alice Oswald
