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The study of African philosophy, like all great philosophical enquiries around the world, is fraught with the wrecks of words, wrenched from their original meaning, widened or narrowed, and forced into a bewildering variety of vessels that chum their ways in seas of semantic confusion. African philosophical studies has acquired and added to the many philosophical verbal transmogrifications that came originally from the Igbo of south-eastern Nigeria. In its turn, it has produced its own eccentric philosophical etymology, of which, perhaps the most striking example is Igwebuike philosophy. A reflection on Igwebuike philosophy reveals that it is a product of a meticulous and critical study of A...
The Journal of Integrative Humanism is a multidisciplinary collection of research articles from researchers in African Countries.
Hymns and Constructions of Race: Mobility, Agency, De/Coloniality examines how the hymn, historically and today, has reinforced, negotiated, and resisted constructions of race. It brings together diverse perspectives from musicology, ethnomusicology, theology, anthropology, performance studies, history, and postcolonial scholarship to show how the hymn has perpetuated, generated, and challenged racial identities. The global range of contributors cover a variety of historical and geographical contexts, with case studies from China and Brazil to Suriname and South Africa. They explore the hymn as a product of imperialism and settler colonialism and as a vehicle for sonic oppression and/or resistance, within and beyond congregational settings. The volume contends that the lived tradition of hymn-singing, with its connections to centuries of global Christian mission, is a particularly apt lens for examining both local and global negotiations of race, power, and identity. It will be relevant for scholars interested in religion, music, race, and postcolonialism.
This book of readings is designed to accomplish two tasks: to philosophize on Igwebuike and to honour Professor KANU, Ikechukwu Anthony, O.S.A. These two tasks or goals go hand in hand because Igwebuike is Professor Kanu’s philosophy. The book clearly demonstrates why Kanu deserves honour as an African philosopher who has introduced a way of doing African philosophy. It is an approach of doing philosophy that takes into account African ontology and cosmology. Igwebuike as a systematic African thought is exploratory in nature. It investigates issues with a view of seeing how they are related. Doing philosophy in this way takes into account not only the African context but the world as a com...
I think your work is a necessary and valuable exposure of this religious phenomenon and the appallingly cynical exploitation of the religious and cultural beliefs of the poor and the vulnerable. I would like to see it published. Suzanne Wilton Huddersfield, UK The book is particularly apt at this period of Christianity in Nigeria because it addresses the money syndrome that has crept into Christianity in Nigeria and the faking of the call of God. The book addresses the yearning of many Christians who are worried by this menace but may not know how to discuss it. Reverend Kenneth Nwaubani Abia, Nigeria I am particularly impressed by the depth of research that has gone into this book. It will ...
Iredi War was the winner of The Nigeria Prize for Literature 2014. The playwright introduces the notion of 'folk script' with its special stamp. The use of the oral literature genre allows for the full exploitation of the creative licence which allows for the swings from the historical to the oral, the natural to the supernatural, the real to the fantastic.
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This notwithstanding, over the years, the African culture in all its manifestations became the bulls eye for attack especially during the Atlantic Slave Trade, Colonialism, Racism. During these periods, Europe dealt coup de grace to the African personality, to his is-ness, by destroying the African cultural values. They disrespected African peculiarities, languages enriched with traditions of centuries, parables, many of them the quintessence of family and national histories; modes of thought, influenced more or less by local circumstances, local poetry which reveals the profundity of African literary wizardry. A lot of these were altered against the background that the African in all his su...
How can expository preaching, rooted in a textual analysis of Scripture, be effectively utilized in oral cultures? In Expository Preaching in Africa, Ezekiel A. Ajibade engages this challenge directly, offering practical techniques for integrating African oral elements – such as myths, proverbs, folklore, dance, drama, poetry, and storytelling – into preaching that is both biblical and African. Alongside numerous examples and tools, Ajibade provides a rich overview of the nature of orality, the history and development of African preaching, and the reason biblical exposition must be central to gospel proclamation. He reminds us that it is the word of God, incarnated among us, that has the power to transform lives and revitalize nations. Contextualized expository preaching is not, therefore, one technique to be utilized among many; it is, rather, the heart of biblical teaching and the future of the African church. While contributing significantly to studies in contextualization and homiletics, this book is immediately applicable to practitioners, especially African preachers and those working in oral contexts.