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Ruins and Resilience
  • Language: en
  • Pages: 246

Ruins and Resilience

  • Type: Book
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  • Published: 2024-07-23
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  • Publisher: MIT Press

Experimental film practice from an international and transdisciplinary perspective. Karel Doing is an experimental filmmaker and researcher who has worked across the globe with fellow artists and filmmakers, creating a body of work that is difficult to pinpoint with a simple catchphrase. In Ruins and Resilience he weaves autobiographical elements and critical reviews together with his wide ranging interdisciplinary approach, reflecting on his own practice by positioning key works within the context of a vibrant experimental film scene in Europe, North and South America, and Asia. Doing demonstrates how experimental filmmakers have continued to renew their practice despite the almost total de...

Grain & Noise - Artists in Synthetic Biology Labs
  • Language: en
  • Pages: 198

Grain & Noise - Artists in Synthetic Biology Labs

  • Categories: Art

The collaboration between scientists and artists in the form of Artist-in-Lab residencies may not only cause a productive disturbance for a day's work in the laboratory, but also reveal new ways of understanding. Research and science communication company Biofaction has brought together artists and synthetic biologists throughout Europe in a residence program that spans four truly cross-disciplinary collaborations. The contributors to this volume share their reflections of the dynamic frictions that occurred when their artistic and scientific worlds met. These stories, where chemistry labs, tobacco plants, genetically edited bacteria, and new-to-nature enzymes collide with music, photography, film, and visual arts, infuse the ongoing dialogue between art and sciences with grain, noise, and synergies.

What You Made Me Do
  • Language: en
  • Pages: 305

What You Made Me Do

An expectant mother gets more than she bargained for when she marries into a seemingly perfect family in this gripping debut novel–a must read for fans of A. J. Finn and B. A. Paris. After surviving a nightmarish childhood, Anneliese Bakker is on the mend and searching for her birth mother. But when she meets Willem, she falls madly in love and finally finds a safe place to land. Engaged and expecting her first child, she moves into the Veldkamp mansion on a stately, tree-lined avenue in Amsterdam. And yet, nothing about Willem’s family is as it seems. Instead of the loving home she has longed for her entire life, she’s confronted with a cold and hostile household. Increasingly isolate...

Worlds of Psychotic People
  • Language: en
  • Pages: 277

Worlds of Psychotic People

  • Type: Book
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  • Published: 2004-08-02
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  • Publisher: Routledge

Gives insight into the daily interactions of therapists and patients - exchanges which are usually kept hidden from the public Suitable both for interested outsiders and for healthcare professionals wishing to think about their career area Has chapters on some common aspects of mental illness - hiding in talk, living in two worlds, alienation, life and death terrors - asking how these are handled in clinical practice

The Advocate
  • Language: en
  • Pages: 92

The Advocate

  • Type: Magazine
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  • Published: 1999-05-11
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  • Publisher: Unknown

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

Autographic Design
  • Language: en
  • Pages: 293

Autographic Design

  • Type: Book
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  • Published: 2023-12-19
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  • Publisher: MIT Press

An ambitious vision for design based on the premise that data is material, not abstract. Data analysis and visualization are crucial tools in today's society, and digital representations have steadily become the default. Yet, more and more often, we find that citizen scientists, environmental activists, and forensic amateurs are using analog methods to present evidence of pollution, climate change, and the spread of disinformation. In this illuminating book, Dietmar Offenhuber presents a model for these practices, a model to make data generation accountable: autographic design. Autographic refers to the notion that every event inscribes itself in countless ways. Think of a sundial, for examp...

The Experimental Darkroom
  • Language: en
  • Pages: 465

The Experimental Darkroom

The Experimental Darkroom is a book focused on traditional black & white photographic materials—darkroom chemistry and silver gelatin paper—now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches today. Each process under discussion is accompanied by photographic examples and a step-by-step method written in a “Just the facts, ma’am” style. Topics included are: Photograms and clichés verre Lumen prints Chemigra...

The Palgrave Handbook of Experimental Cinema
  • Language: en
  • Pages: 611

The Palgrave Handbook of Experimental Cinema

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Interactive Documentary
  • Language: en
  • Pages: 259

Interactive Documentary

Interactive documentary is still an emerging field that eludes concise definitions or boundaries. Grounded in practice-based research, this collection seeks to expand the sometimes exclusionary field, giving voice to scholars and practitioners working outside the margins. Editors Kathleen M. Ryan and David Staton have curated a collection of chapters written by a global cohort of scholars to explore the ways that interactive documentary as a field of study reveals an even broader reach and definition of humanistic inquiry itself. The contributors included here highlight how emerging digital technologies, collaborative approaches to storytelling, and conceptualizations of practice as research...

Experimental Film and Photochemical Practices
  • Language: en
  • Pages: 266

Experimental Film and Photochemical Practices

  • Categories: Art

This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology.