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Frontiers
The daily life of Bonnie Bird, as an American modern dancer in the 1930s, is uniquely revealed in this book. Karen Bell-Kanner shares with the reader her fascinating interviews with Bonnie Bird and the intimate letters that Bonnie Bird wrote to her family in Seattle from New York when she was working with Martha Graham between 1931 and 1937. On her return to the Cornish School of Fine Arts in Seattle as dancer-teacher- choreographer, she had the then novice dancer Merce Cunningham among her students and the young John Cage as her accompanist. In New York again, she developed the popular dance entertainment for children, the Merry-Go-Rounders, in the 1950s. Bonnie Bird's applications of psychology led her to pioneer new concepts and techniques in dance education that have influenced generations of contemporary dance teachers. Her last twenty years were spent at London's Laban Centre for Movement and Dance, where the accomplishments of a lifetime were gathered together to expand the frontiers of
First We Take Manhattan
Four American women: Marcia Siegel, Deborah Jowitt, Arlene Croce and Nancy Goldner are writers who became dance critics partly by design. By showing us extensive examples from their vivid writing about dance, Diana Theodores presents a detailed and illuminating analysis of their styles and ideas from 1965 to 1985, the Golden Age of Dance in New York. For the first time, she presents these four writers as a school of dance criticism, four women who defined American dance in a key era of its recent history. About the Author
The Life and Times of Ellen Von Frankenberg
First Published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
The Palgrave Handbook of Contemporary Irish Theatre and Performance
This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.
Dooplé : the Eternal Law of African Dance
The African dancer requires complete technical mastery and must respect the precise rules handed down by the society of the Masques de Sagesse. Alphonse Tirou is from the Ouenon people of the Ivory Coast. His major study is the first written record of this oral tradition and it explains the movements, codes and meanings of the traditional African dance. It is extremely valuable reading for all those studying or interested in Africa, as dance is such an essential part of this continent's cultural heritage.A former student of the National Institute of Arts at Abidjan, Alphonse Tirou has been a senior dignitary in the Kman of the Masques de Sagesse for over twenty years. He is currently teaching at the Bloa Nam (Movements) dance school in Nmes, which he founded in 1979 and which is still the only school worldwide to research African dance.
Doople
The African dancer requires complete technical mastery and must respect the precise rules handed down by the society of the Masques de Sagesse. Alphonse Tirou is from the Ouenon people of the Ivory Coast. His major study is the first written record of this oral tradition and it explains the movements, codes and meanings of the traditional African dance. It is extremely valuable reading for all those studying or interested in Africa, as dance is such an essential part of this continent's cultural heritage.A former student of the National Institute of Arts at Abidjan, Alphonse Tirou has been a senior dignitary in the Kman of the Masques de Sagesse for over twenty years. He is currently teaching at the Bloa Nam (Movements) dance school in Nmes, which he founded in 1979 and which is still the only school worldwide to research African dance.
Jose Limon
Jose Limn is universally recognized as one of the most important modern dancers of the 20th century. His technique is still taught at major colleges and dance schools; his dance company continues to revive his works, plus presents new works. His most famous work, The Moor's Pavanne, has been presented around the world by ballet and modern dance companies. This book presents a series of essays about Limn's life and works by noted scholars and dancers who were associated with Limn. It serves as a perfect introduction to his choreography and legacy. The book should appeal to fans of modern dance.
Dance of Death
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Transcending Boundaries
"First Published in 2002, Routledge is an imprint of Taylor & Francis, an informa company."
The Dance Theatre of Kurt Jooss
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
