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The God Who Sees
  • Language: en
  • Pages: 144

The God Who Sees

Meet people who have fled their homelands. Hagar. Joseph. Ruth. Jesus. Here is a riveting story of seeking safety in another land. Here is a gripping journey of loss, alienation, and belonging. In The God Who Sees, immigration advocate Karen Gonzalez recounts her family’s migration from the instability of Guatemala to making a new life in Los Angeles and the suburbs of south Florida. In the midst of language barriers, cultural misunderstandings, and the tremendous pressure to assimilate, Gonzalez encounters Christ through a campus ministry program and begins to follow him. Here, too, is the sweeping epic of immigrants and refugees in Scripture. Abraham, Hagar, Joseph, Ruth: these intrepid heroes of the faith cross borders and seek refuge. As witnesses to God’s liberating power, they name the God they see at work, and they become grafted onto God’s family tree. Find resources for welcoming immigrants in your community and speaking out about an outdated immigration system. Find the power of Jesus, a refugee Savior who calls us to become citizens in a country not of this world.

Long Suffering
  • Language: en
  • Pages: 207

Long Suffering

  • Categories: Art

An unflinching, illuminating look at three U.S. artists and their performances of suffering

Concerning Consequences
  • Language: en
  • Pages: 491

Concerning Consequences

  • Categories: Art

Kristine Stiles has played a vital role in establishing trauma studies within the humanities. A formidable force in the art world, Stiles examines the significance of traumatic experiences both in the individual lives and works of artists and in contemporary international cultures since World War II. In Concerning Consequences, she considers some of the most notorious art of the second half of the twentieth century by artists who use their bodies to address destruction and violence. The essays in this book focus primarily on performance art and photography. From war and environmental pollution to racism and sexual assault, Stiles analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden. Assembling rich intellectual explorations on everything from Paleolithic paintings to the Bible’s patriarchal legacies to documentary images of nuclear explosions, Concerning Consequences explores how art can provide a distinctive means of understanding trauma and promote individual and collective healing.

This Is Going to Hurt
  • Language: en
  • Pages: 261

This Is Going to Hurt

“If you see me at a party and I’m speaking, you need to come rescue the person I’m talking to, because they are not having a good time. Or better yet, I would like to invite you, the reader, into the corner with me to talk about the story I write over and over again: People are suffering.” In her career as a journalist, Bekah McNeel has encountered (and written about) a lot of suffering. After all, the most polarizing topics in US politics all revolve around suffering. But when confronted with these stories of suffering, many people respond not with action, but by offering counterstories that justify their lack of compassion. This set Bekah wondering: Whose suffering do we try to all...

Scenes of the Obscene
  • Language: en
  • Pages: 189

Scenes of the Obscene

  • Categories: Art

Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from "ob skene", indicating the space behind the stage or scene. "Off-scene" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some "Scene of the Obscene" in art and visual culture from the Middle Ages to today, taking into consideration the malleable nature of socio-cultural assumptions and theoretical reflections on the topic.The contributions focus on historically distinct artistic acts and social sites where established cultural categories and legal norms are violated, with artists and publishers deliberately breaking moral taboos and offending the public taste. They discuss how society reacted to these transregressions and how obscenity and its conceptions shape the face of their respective time.

Performing Endurance
  • Language: en
  • Pages: 221

Performing Endurance

  • Categories: Art

Offers a formal account and theory of endurance as a practice in performance art and protest. Discusses influential performances by Marina Abramović, Chris Burden, Tehching Hsieh, Yoko Ono, and others, as well as 1960s lunch counter sit-ins and twenty-first-century protest camps. Essential reading in performance theory, art history, and political activism.

Born Again and Again
  • Language: en
  • Pages: 148

Born Again and Again

Got salvation? What if salvation is not one more thing to acquire but an invitation to radical transformation? Christians often turn life—and faith—into one big quest for the good life. We expect to “get” a good job, loving spouse, a life of comfort, personal satisfaction—oh, and salvation with a cherry on top. Our acquisitive impulses aren’t limited to lattes and designer jeans; Christians in power throughout history have focused on getting people saved, possessing the land, and gaining dominance in government. But what if Christianity isn’t about striving for something more, but about renouncing the power and privilege that prevent us from receiving God’s abundant life? Wha...

Beyond Ethnic Loneliness
  • Language: en
  • Pages: 118

Beyond Ethnic Loneliness

Growing up as an Indian American immigrant in white Southern culture, Prasanta Verma unpacks the exhausting effects of cultural isolation and marginalization as well as the longing to belong and the hope of finding safe friendships in community. Our places of exile can become places of belonging–to ourselves, to others, and to God.

Microdramas
  • Language: en
  • Pages: 247

Microdramas

Explores what brevity can teach us about the powers and limits of theater