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Cartographic Fictions
Maps are stories as much about us as about the landscape. They reveal changing perceptions of the natural world, as well as conflicts over the acquisition of territories. Cartographic Fictions looks at maps in relation to journals, correspondence, advertisements, and novels by authors such as Joseph Conrad and Michael Ondaatje. In her innovative study, Karen Piper follows the history of cartography through three stages: the establishment of the prime meridian, the development of aerial photography, and the emergence of satellite and computer mapping. Piper follows the cartographer's impulse to "leave the ground" as the desire to escape the racialized or gendered subject. With the distance that the aerial view provided, maps could then be produced "objectively," that is, devoid of "problematic" native interference. Piper attempts to bring back the dialogue of the "native informant," demonstrating how maps have historically constructed or betrayed anxieties about race. The book also attempts to bring back key areas of contact to the map between explorer/native and masculine/feminine definitions of space.
A Girl's Guide to Missiles
A poignant, surreal, and fearlessly honest look at growing up on one of the most secretive weapons installations on earth, by a young woman who came of age with missiles The China Lake missile range is located in a huge stretch of the Mojave Desert, about the size of the state of Delaware. It was created during the Second World War, and has always been shrouded in secrecy. But people who make missiles and other weapons are regular working people, with domestic routines and everyday dilemmas, and four of them were Karen Piper's parents, her sister, and--when she needed summer jobs--herself. Her dad designed the Sidewinder, which was ultimately used catastrophically in Vietnam. When her mom go...
The Price of Thirst
“There's Money in Thirst,” reads a headline in the New York Times. The CEO of Nestlé, purveyor of bottled water, heartily agrees. It is important to give water a market value, he says in a promotional video, so “we're all aware that it has a price.” But for those who have no access to clean water, a fifth of the world's population, the price is thirst. This is the frightening landscape that Karen Piper conducts us through in The Price of Thirst—one where thirst is political, drought is a business opportunity, and more and more of our most necessary natural resource is controlled by multinational corporations. In visits to the hot spots of water scarcity and the hotshots in water f...
Left in the Dust
An intensely personal story crossed with a political potboiler, Left in the Dust is a unique and passionate account of the city of Los Angeles's creation, cover-up and inadequate attempts to repair a major environmental catastrophe. Owens River, which once fed Owens Lake, was diverted away from the lake to supply the faucets and sprinklers of Los Angeles. The dry lakebed now contains a dust saturated with toxic heavy metals, which are blown from the lake and inhaled by unsuspecting citizens throughout the Midwest, causing major health issues. Karen Piper, one of the victims who grew up breathing that dust, reveals the shocking truth behind this tragedy and examines how waste and pollution are often neglected to encourage urban growth, while poor, non-white, and rural areas are forgotten or sacrificed.
Notes from the Fog
'I wake up and I have to make the right choice,' he said. Master-stylist Ben Marcus returns with a wonder-cabinet of brain-rearranging stories. From the horrifyingly strange to the deeply touching, each story is a literary masterclass unlikely to leave the reader unchanged. From parent/child relationships thrown agonisingly off kilter, to intensely moving scenarios of dependence and emotional crisis; from left-alone bodies to new scientific frontiers, Ben Marcus is the great chronicler of the contemporary uncanny and the peculiar future. Piece by piece, he takes us apart.
Images of the Corpse
This compelling book brings together physicians, artists, and scholars of film, literature, philosophy, art, and politics to discuss the representation of the corpse in Western culture. Spanning a timeline from the Renaissance to the present, these essays introduce readers to a modern autopsy, a public execution and dissection in seventeenth-century England, the genre of postmortem photography, the corpse as artist's model, images of dead women in such popular films as Copycat and The Silence of the Lambs, and post-mortem scenes in the works of Flaubert, Balzac, Andres Serrano, and others.
Island Paradise
A colonial discourse has perpetuated the literary notion of islands as paradisal. This study explores how the notions of island paradise have been represented in European literature, the oral and literary indigenous traditions of the Caribbean and Sri Lanka, a colonial literary influence in these islands, and the literary experience after independence in these nations. Persistent themes of colonial narratives foreground the aesthetic and ignore the workforce in a representation of island space as idealized, insular, and vulnerable to conquest; an ideal space for management and control. English landscape has been replicated in islands through literature and in reality - the 'Great House' bein...
The Cosmic Time of Empire
Combining original historical research with literary analysis, Adam Barrows takes a provocative look at the creation of world standard time in 1884 and rethinks the significance of this remarkable moment in modernism for both the processes of imperialism and for modern literature. As representatives from twenty-four nations argued over adopting the Prime Meridian, and thereby measuring time in relation to Greenwich, England, writers began experimenting with new ways of representing human temporality. Barrows finds this experimentation in works as varied as Victorian adventure novels, high modernist texts, and South Asian novels—including the work of James Joyce, Virginia Woolf, H. Rider Haggard, Bram Stoker, Rudyard Kipling, and Joseph Conrad. Demonstrating the investment of modernist writing in the problems of geopolitics and in the public discourse of time, Barrows argues that it is possible, and productive, to rethink the politics of modernism through the politics of time.
Mobile Technology and Place
An international roster of contributors come together in this comprehensive volume to examine the complex interactions between mobile media technologies and issues of place. Balancing philosophical reflection with empirical analysis, this book examines the specific contexts in which place and mobile technologies come into focus, intersect, and interact. Given the far-reaching impact of contemporary mobile technology use – and given the lasting importance of the concept and experiences of place – this book will appeal to a wide range of scholars in media and cultural studies, sociology, and philosophy of technology.
Popular Culture and Political Economic Thought
This book studies the relationship of popular culture to older formations of political economic thought, which have made their way into a range of fictions as a fabulous, though feasible, source of resistance to the hegemony of neoclassical economics.
